| 6 days | 18 days | 24 days | ||||
| Linseed oil, 100% | .233 | .68 | 6 | .89 | 5 | |
| Soya bean oil, 100% | .340 | 1.06 | 1.39 | |||
| Linseed oil, 80% | } | .250 | .75 | 5 | .98 | 7 |
| Soya bean oil, 20% | ||||||
| Linseed oil, 60% | } | .289 | .85 | 7 | 1.12 | 5 |
| Soya bean oil, 40% | ||||||
| Linseed oil, 40% | } | .355 | 1.05 | 1.39 | ||
| Soya bean oil, 60% | ||||||
| Linseed oil, 20% | } | .260 | .78 | 9 | 1.03 | |
| Soya bean oil, 80% | ||||||
| China wood oil treated, 100% | .130 | .29 | 7 | .37 | 5 | |
| Linseed oil, 80% | } | .182 | .55 | 9 | .72 | 8 |
| China wood oil treated, 20% | ||||||
| Linseed oil, 60% | } | .173 | .54 | 0 | .70 | 8 |
| China wood oil treated, 40% | ||||||
| Linseed oil, 40% | } | .119 | .34 | 8 | .45 | 0 |
| China wood oil treated, 60% | ||||||
| Linseed oil, 20% | } | .127 | .37 | 5 | .49 | 4 |
| China wood oil treated, 80% | ||||||
| Kauri gum, 33% | ⎫ | .061 | .19 | 1 | .30 | 2 |
| Linseed oil, 33% | ⎬ | |||||
| Turpentine, 33% | ⎭ | |||||
| Kauri gum, 25% | ⎫ | .096 | .26 | 6 | .34 | 6 |
| Linseed oil, 50% | ⎬ | |||||
| Turpentine, 25% | ⎭ | |||||
| Kauri gum, 20% | ⎫ | .122 | .36 | 7 | .44 | 9 |
| Linseed oil, 60% | ⎬ | |||||
| Turpentine, 20% | ⎭ | |||||
| Kauri gum, 15% | ⎫ | .187 | .42 | 1 | .60 | 1 |
| Linseed oil, 70% | ⎬ | |||||
| Turpentine, 15% | ⎭ | |||||
| Congo copal gum, 20% | ⎫ | .228 | — | — | ||
| Linseed oil, 50% | ⎬ | |||||
| Turpentine, 30% | ⎭ | |||||
| Sierra Leone copal, 20% | ⎫ | .099 | — | — | ||
| Linseed oil, 50% | ⎬ | |||||
| Turpentine, 30% | ⎭ | |||||
| Zanzibar gum, 20% | ⎫ | .082 | — | — | ||
| Linseed oil, 50% | ⎬ | |||||
| Turpentine, 30% | ⎭ | |||||
| Amimi gum, 20% | ⎫ | .080 | — | — | ||
| Linseed oil, 50% | ⎬ | |||||
| Turpentine, 30% | ⎭ | |||||
| Boiled linseed oil (linoleate type) | .210 | — | — | |||
| Collodion solution (6 oz.), 80% | } | .201 | — | — | ||
| Boiled linseed oil, 20% | ||||||
 |  |
| Microscopic view of section of cedar | Microscopic view of section of maple |
 | |
| Microscopic view of section of white pine | |
Gardner photomicroscope in position against painted surface
Use of the Microscope. 4. The microscope is a necessary adjunct of every well-ordered paint laboratory, as has been recognized throughout the whole paint industry. The writer has attempted to collect certain data which may materially assist those manufacturers who employ this instrument to judge of the quality of their raw and finished products. The fineness of grinding considerably affects the quality of the paint, and this can be easily controlled through the intelligent use of the microscope. This instrument may also be used to detect certain adulterations. Appended is a [table] giving the fineness of grinding of the various pigments, together with their characteristics under the microscope. In this table measurements are given both in millimeters and in inches, in order to accommodate itself to the use of those chemists employing a millimeter stage micrometer, or those employing the English or inch system. Although it is not yet certain that any and all combinations of pigments may be detected under the microscope the writer is working toward a method which will allow a manipulator to judge of the composition of the paint under observation.
Inside White on White Pine
In order to properly prepare a paint for microscopic examination, the following method is recommended: A microscopic turn-table is a convenient accessory of the microscope, and its use is to be recommended. A glass slide being placed in position upon the turn-table, a very small amount of either the pigment rubbed up in oil, or the paint, is applied to the slide; a small drop of Canada balsam is then applied by means of a glass rod dipped in a solution of balsam in xylol, and dropped upon the slide. The rod is then used to thoroughly incorporate the pigment with the balsam, and a cleaned cover glass is dropped over the whole and pressed down tightly, so that a small amount of balsam will exude from under the edges and thus firmly seal the glass. In order to make permanent slides it has been found advisable to rim the cover glass with balsam and even follow this up with some suitable black varnish, the slide being then carefully labeled and placed in the collection. Following is a table of the characteristics of the fourteen chief pigments: