Making Photomicrographs. The photomicrographs which are herewith shown were made in the following manner: A part of a panel was placed upon the stage of the microscope and held firmly in place with clips. By varying the adjustment and carefully running over the field the condition of the surface was readily given, using the same eye-piece and objective throughout the tests, and obtaining a magnification of thirty-three. Great care was exercised to secure an average field showing the general and typical appearance of every panel. Little difficulty was experienced in so doing, as the laboratory panels gave very representative surfaces of the large panels on the fence. The instrument was then inclined horizontally and the eye-piece was fitted into the camera nose. In the back of the bellows of the camera was placed the ground glass for focusing. To secure illumination the light from an electric arc lamp was reflected from a mirror directly upon the painted surface of the panel, which in turn was reflected through the camera on to the ground glass. The plate-holder was then put in position and six-second exposures were made, afterward developing and printing.
Checking and Cracking. What was termed “fine matt checking” at the First Annual Inspection was not visible at the time to certain members of the Inspection Committee, but it is an established fact that the checking was an existing condition, as the photomicrographs have shown. This checking has a very peculiar characteristic in that the lines are very narrow and hair-like, being somewhat interlaced and peculiarly forked. That this hair matt checking is a preliminary condition which afterwards develops into matt checking and into marked or heavy checking seems to be indicated.
It appears from an examination of the photomicrographs of the paint films that a paint coating closely resembles the surface of the earth, and is subject to the same basic laws that have caused the various geodetic changes in the earth’s crust. Observation of a dried pond or lake bed will disclose types of fissuring and cracking similar to those shown by dried paint coatings in which the oil has been fully oxidized, and especially in the case of paints containing pigments which act upon the oil to produce compounds brittle in nature.
At Atlantic City the panels were all clean and free from dirt, presenting continuous exposure of the films, and thus maintaining conditions for active checking. At Pittsburg, soon after the panels began to chalk, the large amount of dust and black soot in the atmosphere completely covered the panels with a very thick, resistant coating of carbon, which acted as a seal or protector, preventing disintegration to a great extent. This coating was extremely hard to remove, and photomicrographs, before and after removal of this coating by rubbing with a damp cloth, failed to reveal marked checking on any of the formulas except those made of strictly pure basic carbonate-white lead. The checking, even on these, was not as marked as at Atlantic City. It is presumed that after the chalking had taken place and the chalked pigment had been washed from the panels, the gradually increasing coat of carbon and lead sulphide had protected the panels from checking, or possibly the atmosphere of Pittsburg, which in other respects had deteriorated the panels to a greater extent than at Atlantic City, did not have the extreme action in causing checking that the Atlantic City atmosphere seemed to have effected.
Results on Combination Pigment Paints. It will be noticed that the checking on most of the combination pigment paints made of lead, zinc, and inert pigments, was moderate, and in many cases of a fine order. It has been observed that the percentage of zinc oxide in a paint is not always a criterion upon which future checking may be judged. Nor could it be said that the checking is dependent upon the percentage of basic carbonate-white lead added to the paint. However, it appears that scientific blending of the various pigments, with regard to their physical properties in oil, such as their strength and elastic limit, develops the greatest resistance to both cracking and checking. Elasticity is vital, but strength must be combined therewith in order to prevent disruptions of the paint coating. Paint films made of certain inert pigments, when tested on the filmometer, were relatively high in strength, but relatively low in elasticity. Such pigments, when used in large percentage, form coatings which are hard and apt to crack. The use, however, of these pigments in moderate percentages seems very beneficial in overcoming the effect of using an excessive percentage of white lead, or of zinc oxide.
Results on White Lead Paints. The maximum checking was observed on the basic carbonate-white lead panels, the size of the checks in some cases being several times larger than those on the other panels.
On some of the basic carbonate-white leads the checking was of a very peculiar nature, consisting of very broad fissures in the paint coating, disclosing the wood surfaces beneath. The type of checking existing was also distinct in its structure, being hexagonal in shape. One of the most marked features shown by the basic carbonate-white lead films was the extreme roughness of their surfaces. This roughness is most likely due to the excessive chalking which had taken place.
Results on Silica and Barytes Paints. The checking of paints very high in silica resolved itself into fine hair-like lines which are generally lateral to each other, and indicate a cracked appearance. The checking of paints containing very high percentages of barytes was also of a distinct nature, being generally forked in appearance and of no definite striation.