The fifty lashes scourged the slave's bare back,
The red blood running down at every stroke,
The dark skin clinging ghastly to the lash.
No moan escaped him at the stinging pain.
Tremblingly he stood, and patiently bore all;
His heart indignant, shaking his broad breast,
Strong as the heart that Hippodamia wept,
Which with the cold, intrusive brass thrust through,
Shook even the Greek spear's extremity.
III.
And so the negro's energy, made strong
By the one vile argument of the lash,
Was given to learn the secret of the books.
He studied in the woods, and by the fall
Which shoots down like an arrow from the cliff,
Feathered with spray and barbed with hues of flint.
His books were bits of paper printed on,
Found here and there, brought thither by the wind.
Once standing near the bottom of the fall
And gazing up, he saw upon the verge
Of the dark cliff above him, gathering flowers,
His master's child, sweet Coralline; she leaned
Out over the blank abyss, and smiled.
He climbed the bank, but ere he reached the height,
A shriek rang out above the water's roar;
The babe had fallen, and a quadroon girl
Lay fainting near, upon the treacherous sward.
The babe had fallen, but with no injury yet.
Karagwe slipped down upon a narrow ledge,
And reaching out, caught hold the little frock,
Whose folds were tangled in a bending shrub,
And safely drew the child back to the cliff.
The slave had favors shown him after this,
Although he spoke not of the perilous deed,
Nor spoke of any merit he had done.
IV.
By being always when he could alone,
By wandering often in the woods and fields,
He came at last to live in revery.
But little thought is there in revery,
But little thought, for most is useless dream;
And whoso dreams may never learn to act.
The dreamer and the thinker are not kin.
Sweet revery is like a little boat
That idly drifts along a listless stream—
A painted boat, afloat without an oar.
And nature brought strange meanings to the slave;
He loved the breeze, and when he heard it pass
The agitated pines, he fancied it
The silken court-dress of the lady Wind,
Bustling among the foliage, as she went
To waltz the whirlwind on the distant sea.
The negro preacher with the text had said
That when men died, the soul lived on and on;
If so, of what material was the soul?
The eye could not behold it; why not then
The viewless air be filled with living souls?
Not only these, but other shapes and forms
Might dwell unseen about us at all times.
If air was only matter rarefied,
Why could not things still more impalpable
Have real existence? Whence came our thoughts?
As angels came to shepherds in Chaldee;
They were not ours. He fancied that most thoughts
Were whispered to the soul, or good, or bad.
The bad were like a demon, a vast shape
With measureless black wings, that when it dared,
Placed its clawed foot upon the necks of men,
And with the very shadow of itself,
Made their lives darker than a starless night.
He did not strive to picture out the good,
Or give to them a figure; but he knew
No glory of the sunset could compare
With the clear splendor of one noble deed.
He proudly dreamed that to no other mind
Had these imaginings been uttered.
Alas! poor heart, how many have awoke,
And found their newest thoughts as old as time—
Their brightest fancies woven in the threads
Of ancient poems, history or romance,
And knowledge still elusive and far off.
V.
The days that lengthen into years went on.
The quadroon girl who fainted on the cliff
Was Ruth; now, blooming into womanhood,
She looked on Karagwe, and seeing there
Something above the level of the slave,
Watched him with interest in all his ways.