He had been some weeks in London when he received a telegram from his brother-in-law at the Bagni di Lucca telling him that his sister had been thrown from a cab and injured, and that he had better come on. He started that night, and reached the Bagni di Lucca on the second day. Tetanus had already set in.
The last lesson--the sum and term of education--began then. He had passed through thirty years of rather varied experience without having once felt the shell of custom broken. He had never seen Nature--only her surface--the sugar-coating that she shows to youth. Flung suddenly in his face, with the harsh brutality of chance, the terror of the blow stayed by him thenceforth for life, until repetition made it more than the will could struggle with; more than he could call on himself to bear. He found his sister, a woman of forty, as gay and brilliant in the terrors of lockjaw as she had been in the careless fun of 1859, lying in bed in consequence of a miserable cab-accident that had bruised her foot. Hour by hour the muscles grew rigid, while the mind remained bright, until after ten days of fiendish torture she died in convulsion.
One had heard and read a great deal about death, and even seen a little of it, and knew by heart the thousand commonplaces of religion and poetry which seemed to deaden one's senses and veil the horror. Society being immortal, could put on immortality at will. Adams being mortal, felt only the mortality. Death took features altogether new to him, in these rich and sensuous surroundings. Nature enjoyed it, played with it, the horror added to her charm, she liked the torture, and smothered her victim with caresses. Never had one seen her so winning. The hot Italian summer brooded outside, over the market-place and the picturesque peasants, and, in the singular color of the Tuscan atmosphere, the hills and vineyards of the Apennines seemed bursting with mid-summer blood. The sick-room itself glowed with the Italian joy of life; friends filled it; no harsh northern lights pierced the soft shadows; even the dying women shared the sense of the Italian summer, the soft, velvet air, the humor, the courage, the sensual fulness of Nature and man. She faced death, as women mostly do, bravely and even gaily, racked slowly to unconsciousness, but yielding only to violence, as a soldier sabred in battle. For many thousands of years, on these hills and plains, Nature had gone on sabring men and women with the same air of sensual pleasure.
Impressions like these are not reasoned or catalogued in the mind; they are felt as part of violent emotion; and the mind that feels them is a different one from that which reasons; it is thought of a different power and a different person. The first serious consciousness of Nature's gesture--her attitude towards life--took form then as a phantasm, a nightmare, an insanity of force. For the first time, the stage-scenery of the senses collapsed; the human mind felt itself stripped naked, vibrating in a void of shapeless energies, with resistless mass, colliding, crushing, wasting, and destroying what these same energies had created and labored from eternity to perfect. Society became fantastic, a vision of pantomime with a mechanical motion; and its so-called thought merged in the mere sense of life, and pleasure in the sense. The usual anodynes of social medicine became evident artifice. Stoicism was perhaps the best; religion was the most human; but the idea that any personal deity could find pleasure or profit in torturing a poor woman, by accident, with a fiendish cruelty known to man only in perverted and insane temperaments, could not be held for a moment. For pure blasphemy, it made pure atheism a comfort. God might be, as the Church said, a Substance, but He could not be a Person.
With nerves strained for the first time beyond their power of tension, he slowly travelled northwards with his friends, and stopped for a few days at Ouchy to recover his balance in a new world; for the fantastic mystery of coincidences had made the world, which he thought real, mimic and reproduce the distorted nightmare of his personal horror. He did not yet know it, and he was twenty years in finding it out; but he had need of all the beauty of the Lake below and of the Alps above, to restore the finite to its place. For the first time in his life, Mont Blanc for a moment looked to him what it was--a chaos of anarchic and purposeless forces--and he needed days of repose to see it clothe itself again with the illusions of his senses, the white purity of its snows, the splendor of its light, and the infinity of its heavenly peace. Nature was kind; Lake Geneva was beautiful beyond itself, and the Alps put on charms real as terrors; but man became chaotic, and before the illusions of Nature were wholly restored, the illusions of Europe suddenly vanished, leaving a new world to learn.
On July 4, all Europe had been in peace; on July 14, Europe was in full chaos of war. One felt helpless and ignorant, but one might have been king or kaiser without feeling stronger to deal with the chaos. Mr. Gladstone was as much astounded as Adams; the Emperor Napoleon was nearly as stupefied as either, and Bismarck: himself hardly knew how he did it. As education, the out-break of the war was wholly lost on a man dealing with death hand-to-hand, who could not throw it aside to look at it across the Rhine. Only when he got up to Paris, he began to feel the approach of catastrophe. Providence set up no affiches to announce the tragedy. Under one's eyes France cut herself adrift, and floated off, on an unknown stream, towards a less known ocean. Standing on the curb of the Boulevard, one could see as much as though one stood by the side of the Emperor or in command of an army corps. The effect was lurid. The public seemed to look on the war, as it had looked on the wars of Louis XIV and Francis I, as a branch of decorative art. The French, like true artists, always regarded war as one of the fine arts. Louis XIV practiced it; Napoleon I perfected it; and Napoleon III had till then pursued it in the same spirit with singular success. In Paris, in July, 1870, the war was brought out like an opera of Meyerbeer. One felt one's self a supernumerary hired to fill the scene. Every evening at the theatre the comedy was interrupted by order, and one stood up by order, to join in singing the Marseillaise to order. For nearly twenty years one had been forbidden to sing the Marseillaise under any circumstances, but at last regiment after regiment marched through the streets shouting "Marchons!" while the bystanders cared not enough to join. Patriotism seemed to have been brought out of the Government stores, and distributed by grammes per capita. One had seen one's own people dragged unwillingly into a war, and had watched one's own regiments march to the front without sign of enthusiasm; on the contrary, most serious, anxious, and conscious of the whole weight of the crisis; but in Paris every one conspired to ignore the crisis, which every one felt at hand. Here was education for the million, but the lesson was intricate. Superficially Napoleon and his Ministers and marshals were playing a game against Thiers and Gambetta. A bystander knew almost as little as they did about the result. How could Adams prophesy that in another year or two, when he spoke of his Paris and its tastes, people would smile at his dotage?
As soon as he could, he fled to England and once more took refuge in the profound peace of Wenlock Abbey. Only the few remaining monks, undisturbed by the brutalities of Henry VIII--three or four young Englishmen--survived there, with Milnes Gaskell acting as Prior. The August sun was warm; the calm of the Abbey was ten times secular; not a discordant sound--hardly a sound of any sort except the cawing of the ancient rookery at sunset--broke the stillness; and, after the excitement of the last month, one felt a palpable haze of peace brooding over the Edge and the Welsh Marches. Since the reign of Pteraspis, nothing had greatly changed; nothing except the monks. Lying on the turf the ground littered with newspapers, the monks studied the war correspondence. In one respect Adams had succeeded in educating himself; he had learned to follow a campaign.
While at Wenlock, he received a letter from President Eliot inviting him to take an Assistant Professorship of History, to be created shortly at Harvard College. After waiting ten or a dozen years for some one to show consciousness of his existence, even a Terebratula would be pleased and grateful for a compliment which implied that the new President of Harvard College wanted his help; but Adams knew nothing about history, and much less about teaching, while he knew more than enough about Harvard College; and wrote at once to thank President Eliot, with much regret that the honor should be above his powers. His mind was full of other matters. The summer, from which he had expected only amusement and social relations with new people, had ended in the most intimate personal tragedy, and the most terrific political convulsion he had ever known or was likely to know. He had failed in every object of his trip. The Quarterlies had refused his best essay. He had made no acquaintances and hardly picked up the old ones. He sailed from Liverpool, on September 1, to begin again where he had started two years before, but with no longer a hope of attaching himself to a President or a party or a press. He was a free lance and no other career stood in sight or mind. To that point education had brought him.
Yet he found, on reaching home, that he had not done quite so badly as he feared. His article on the Session in the July North American had made a success. Though he could not quite see what partisan object it served, he heard with flattered astonishment that it had been reprinted by the Democratic National Committee and circulated as a campaign document by the hundred thousand copies. He was henceforth in opposition, do what he might; and a Massachusetts Democrat, say what he pleased; while his only reward or return for this partisan service consisted in being formally answered by Senator Timothy Howe, of Wisconsin, in a Republican campaign document, presumed to be also freely circulated, in which the Senator, besides refuting his opinions, did him the honor--most unusual and picturesque in a Senator's rhetoric--of likening him to a begonia.
The begonia is, or then was, a plant of such senatorial qualities as to make the simile, in intention, most flattering. Far from charming in its refinement, the begonia was remarkable for curious and showy foliage; it was conspicuous; it seemed to have no useful purpose; and it insisted on standing always in the most prominent positions. Adams would have greatly liked to be a begonia in Washington, for this was rather his ideal of the successful statesman, and he thought about it still more when the Westminster Review for October brought him his article on the Gold Conspiracy, which was also instantly pirated on a great scale. Piratical he was himself henceforth driven to be, and he asked only to be pirated, for he was sure not to be paid; but the honors of piracy resemble the colors of the begonia; they are showy but not useful. Here was a tour de force he had never dreamed himself equal to performing: two long, dry, quarterly, thirty or forty page articles, appearing in quick succession, and pirated for audiences running well into the hundred thousands; and not one person, man or woman, offering him so much as a congratulation, except to call him a begonia.