or when Hood tells us—
"It was the month of Roses,
We plucked them as we passed,"
—their Roses were other than the favourite Roses of to-day. Perhaps they were the old Cabbage Rose, a great bush of which grows next to a bed of Lavender, and pleasantly scents the garden as you enter it. Perhaps they were the Portland Rose, of which I have some three beds, and than which no Rose is better for the making of Pot Pourri, as the young ladies in Mr. Leslie's picture may learn to their advantage. Perhaps they were the Moss Rose, with its mossed buds and fragrant blossoms, of which I have another bed entirely for itself. Perhaps they were the Maiden Blush, or the York and Lancaster, or the sweet old China, with its pink shell petals, which comes so soon and lingers on so late—the last Rose, not of summer but of autumn.[5] Then there are other old Roses which should not be neglected. The Rose Unique, which is a white Cabbage Rose, is one; the Rose Celeste, the thin delicate buds of which are so beautiful, is another. Then there is the little Rose de Meaux, and the old Damask, which indeed seems to have nearly disappeared.
It must have been one of these Roses, be sure, and not a Tea or a perpetual, which Lady Corisande finds in her garden for Lothair.
Not of course that we are not grateful for the new Roses, with their brilliant colouring and their perfect form, but we are unwilling that the old should be forgotten. The Gloire de Dijon and Général Jaqueminot seem to me the most vigorous and most useful, if not the finest; but I have two old standards which are at the moment more effective than anything I have. One is Boule de Nantes, the other an old summer Rose, the name of which I do not know, but which, when fully out, much resembles the Comtesse de Jaucourt. They are not trained in any way, and I find, measuring round their heads, that one has a circumference of 12 feet, and the other of 12½ feet. In the South of England it is no doubt different, but for us these are large dimensions; and certainly nothing I now get from the nursery gardens seems inclined to attain to half the size.
There is one Rose in my garden which flourishes abundantly, but which is the only Rose, of which I should decline to give a cutting. It is so ugly that it is worth nothing, except as a curiosity; and if it ceased to be a curiosity it would be quite valueless. It is a green Rose. I got a small plant from Baltimore, in America, some years ago, and I find it perfectly hardy. It flowers very freely, and all through the summer; the bud is a perfect Rose bud in appearance, but the open flower shows that the Rose is of monstrous and not natural growth; the petals are, it seems to me, no real petals at all, but an expansion of the green heart, which often appears in Roses, and which has here been so cultivated as to take the place of the natural Rose. These petals are coarse and irregular, and have serrated edges, with a very faint scent.[6]
How the Rose twines itself around all history and all literature! There are the Rose gardens of Persia, and the loves of the Rose and nightingale; there are those famous Roses once plucked in the Temple Garden, of which "the pale and bloody petals" (to use a fine expression of Hawthorne's) were strewed over many an English battle-field; there is the golden Rose which the Pope gives as the best of gifts to the foremost among Catholic monarchs—emblem at once of a fading earthly life, and of the unfading life in heaven.
Of English poets is there one, who does not celebrate the Rose, and of all is there one, who draws from it a more tender morality than Waller in "Go, lovely Rose"?
But no nation ever loved the Rose as did the Greeks, and it was their legend that told us how the Rose sprang to birth. Bion's "Lament for Adonis" has been translated by Mrs. Browning, and I know no translation equal to it in general fidelity and vigour of expression. It appears to me, on the whole, perhaps the very best translation in the language. Here are the lines which tell this part of the story:—
"Ah, ah, Cytherea! Adonis is dead;
She wept tear after tear with the blood which was shed,
And both turned into flowers for the earth's garden close,—
Her tears to the Windflower, his blood to the Rose."