adding, in prose, that "the seeds are used as shot by the Indians, and are strung for prayer-beads in some Catholic countries." Indeed, the plant is often called the "Indian Shot," and as the seeds, shining, hard and black, ripened with me last year, I can understand how appropriate is the name.
A bed of double Potentillas, some red, some yellow, and some with the two colours mingled, has been very fine; and so has a bed of hybrid Bulbous Begonias, which seem quite hardy. I plant the blue Lobelia between them, and it contrasts pleasantly with their crimson and orange bells. A long row of Sweet Peas of every variety of colour extends along the border in front of the vinery, and fills the garden with its scent; and not far off is a wire screen, which I cover with the large Convolvulus, and through the summer months the "Morning Glories," as the blossoms were once called, display all their short-lived beauty.
On either side of the grass-walk, which runs down the garden, at a right angle to the vineries, I am making rustic trellises of logs of wood, round which I shall plant Vegetable Marrows and Gourds, and at intervals clumps of the great Sunflower.[12] In another corner I am sowing a bed of the Bluet, or Corn-flower, the favourite flower of the Emperor of Germany. For some reason the Violets of Napoleon, of which I once had abundance, have not been so successful with me during the last few years,—will the Corn-flower do better?—What a glorious blue it is! and how much we have neglected it! because, I suppose, it is too common, and grows wild amid the ripening Corn and the scarlet Poppy.
Turning to the fruit-garden, my great discovery has been that I must have bees—not at all for the honey, but for the proper setting of the fruit. A large May Duke Cherry is always covered with blossom, but scarcely anything has ever come from it. Last year I examined its blossom closely, and found that the pistil is so much longer than the stamens that it cannot fertilise itself, and must be dependent on insects. This is not the case with other varieties of Cherries, so far as I can see, and I am curious to find out whether my remedy of a bee-hive will this year have the desired effect. I believe it will be of service to the other wall-fruit too, and I have already seen the affection the bees have for the blossoms of the Apricot.
How beautiful a garden is when all the fruit-trees are in bloom! and how various that bloom is! Each Pear-tree bears a different blossom from its neighbour, and the handsomest of all, in size and shape of flower and form of cluster, is the Jargonelle. But no Pear-blossom can compare with the beauty of blossom on the Apple-trees;—and of all Apple-trees the Pomeroy is most beautiful, when every bough is laden with clusters of deep-red buds, which shade off into the softest rosy white, as, one by one, the blossoms open out.
Of other fruit I have nothing new to notice, unless it be to ask whether any one now living can smell the scent of dying Strawberry leaves? We all remember how Mrs. Gaskell in her delightful story gives Lady Ludlow the power, but now we all seem to have lost it. Certainly my dying Strawberry leaves give me no sense of sweetness. Was it a mere fond and foolish fancy? or were the Strawberries of Elizabethan gardens different from those we are now growing? Bacon tells us that, next to the white double Violet and the Musk Rose, the sweetest perfume in the open air is "Strawberry leaves dying, which yield a most excellent cordiale smell;" and I find in an old play by Sir John Suckling—
"Wholesome
As dying leaves of Strawberries."
But there are sounds that haunt a garden hardly less delightful than its sights and scents. What sound has more poetry in it than when in the early morning one hears the strong sharp sweep of the scythe, as it whistles through the falling grass, or the shrill murmur of the blade upon the whetstone; and, in spite of mowing machines, at times one hears the old sound still. How fond Andrew Marvell was of mowing and the mowers! He has given us "Damon the Mower," "The Mower to the Glow-worm," "The Mower's Song," "The Mower against Gardens," and "Ametas and Thestylis making Hay-ropes;" and again, in his fine poem, on "Appleton House," he describes the "tawny mowers" dividing the "grassy deeps,"
"With whistling scythe and elbow strong."
One of our latest poets too, Mr. Allingham, has a delicious little mower's song, with a quite perfect refrain of—