It will be noticed that the top letters of each series spell "αιρ," which can be borne in mind. The irregularities in the series are final ςʹ for six, and the invented letters, for 90 and 900. The same series of letters, with the accent beneath instead of above, are used for thousands, as—

αʹ = 1 ιʹ = 10 ρʹ = 100
α͵ = 1,000 ι͵ = 10,000 ρ͵ = 100,000

There is considerable difficulty in dating books published in France between September 1792, when the French Revolutionary Calendar was introduced, and December 1805, when the Gregorian mode of calculation was restored by Napoleon, because the Revolutionary year began with the autumn. It is impossible therefore, as the months are not usually given in the imprints of books, to tell whether a book dated an. 1 was published in 1792 or 1793. It is usual, however, to reckon from 1792, and to count an. 8, for instance, as 1800, by which means an approximate date is obtained.

Size-Notation.

When we come to the last piece of description on our catalogue slip, we experience considerable difficulty in certain cases. The statement of the case of size-notation, which has caused so much discussion, and given rise to so many schemes, is so well put by the late Mr. Winter Jones, in his inaugural address at the Conference of Librarians held in London, October 1877, that I shall transfer it to these pages:—

"One of these points is the designation of the sizes of books. As regards modern books, the folding of the sheets of paper is generally received as the guide, but it is not a guide which speaks to the eye. Some duodecimos may be larger than some octavos, and some octavos may be larger than some folios, to say nothing of the uncertainty of the quartos. When we come to ancient books the matter is still worse. The early printers did not use large sheets of paper and fold them twice or more to form quartos, octavos, etc., but merely folded their paper once, thus making what is now understood by the terms folios or quartos, according to the size of the sheet of paper. Three or more of these sheets were laid one within another, and formed gatherings or quires, each sheet after the first in each gathering being called an inlay.[28] This printing by gatherings was adopted for the convenience of binding. The consequence of this practice would be that the printer would either print one page at a time or two, but no more. If two, he would have to divide the matter to be printed into portions sufficient for eight, twelve, sixteen, or twenty pages, according to the number of inlays in each gathering, and then print, say the first and twelfth, then the second and the eleventh, and so on; and the result of this practice is occasionally seen in an inequality in the length of the pages, particularly in the centre inlay, which would be printed last, and would therefore have either too much or too little matter if the calculation of the quantity necessary for each page had not been exact. It has been suggested that the difficulty might be met by adopting the size of the printed page as the guide, but such a guide would certainly be fallacious. It would not indicate the size of the volume; it would not allow for the many cases of 'oceans of margins and rivers of text;' it would not speak to the eye without opening the book. The better plan would appear to be to adopt, to a certain extent, the system used by bookbinders. As they regulate their charges according to the size of the millboard required for binding their book, their scale is independent of the folding of the printed sheet. It contains twenty-nine divisions or designations of different sizes, of which twenty-six represent modifications of the five sizes of folio, 4to, 8vo, 12mo, and 18mo, a striking proof of the uncertainty of the sizes supposed to be indicated by these five terms. I speak, of course, of the measure used by English bookbinders. It would certainly be advisable that some rule should be laid down, which might apply to all countries, by which the general sizes of books might be designated, and minute subdivisions be avoided. Why should we designate sizes by paper marks, and talk of pot quartos and foolscap octavos? The pot and the foolscap are things of the past. It would surely be better to adopt some such rule as the following: To designate as 12mo all books not exceeding seven inches in height; as 8vo all those above seven and not exceeding ten inches in height; as 4to those above ten and not exceeding twelve inches in height; and as folio all above twelve inches. The folios might be further described, according to the fact, as large or super, in order to avoid the various subdivisions of crown, copy, demy, medium, royal, imperial, elephant, and columbier folio."

At the Exhibition of Library Appliances in connection with the London Conference, Mr. F. Weaklin submitted seven diagrams of eighty-two sizes given to books, from imperial 4to to demy 48mo, and the matter had already been under special consideration in the United States. Mr. Jewett suggested that after the description 8vo, 4to, etc., the exact height and width in inches and tenths of inches should be added between brackets. He measured print; but, as pointed out by Mr. Winter Jones in the above quotation, this measurement overlooks one of the most important points in respect to the character and value of a book, viz., the size of the margin. When the late Sir William Stirling Maxwell wished to adopt Mr. Jewett's suggestion, I recommended that the width and height of the actual page should be measured, and this was done in An Essay towards a Collection of Books relating to Proverbs, Emblems, Apophthegms, Epitaphs, and Ana, being a Catalogue of those at Keir (1860), which I edited for him.

This system of measurement is not needed in a small library, where the ordinary nomenclature is sufficient. The real difficulty underlying the whole subject was pointed out by Mr. Bradshaw in his paper at the Cambridge Meeting of the Library Association, "A Word on Size Notation as distinguished from Form Notation." He there states two facts often overlooked: "(1) That the terms folio, quarto, octavo, etc., represent strictly not size-notation, but form-notation; and (2) That the modern methods of making paper and of printing books combine to render any accurate application of form-notation to such books not so much difficult as impossible. The logical conclusion from these two facts is, of course, that the form-notation expressed by the terms folio, quarto, octavo, etc., should be given up in the case of modern books, to which it is wholly inapplicable; and that a size-notation which does represent an undoubted fact, should be adopted in its place. This logical conclusion was seen, accepted, and acted upon at Cambridge in the year 1854; and I confess that it is difficult to resist the conviction that this principle must sooner or later be accepted by others, though there will no doubt be differences of opinion as to the most advisable form of notation to adopt. A librarian cannot afford to be eccentric in this matter; whatever method is adopted, it must be adopted by all the great libraries, and it must commend itself to the general reader. Now I feel sure that I shall not be taxed with dogmatism or with any predilection for some crotchet of my own devising, if I say that the complicated and artificial systems recommended by the Committee and others, are such as cannot possibly become familiar, even if they become intelligible, to the general run of readers. In the old Cambridge size-notation of London 1856, 8 × 5 meaning eight inches high by five inches across, the second number denoting the breadth very soon fell out of use, except in writing, and for years we always spoke of books as eights, sevens, sixes, etc., meaning that they were eight, seven, or six inches high."

To this passage is added the following note:—