Samuel Pepys and the World He Lived In

by Henry B. Wheatley

Among the choice articles that should have some notice, however inadequate, are the pocket-book constantly used by Sir Francis Drake, and that of James II., described as follows by Pepys himself:—“My Royal master K. James ye 2d. Pocket Book of Rates and Memorandums during ye whole time of his serving at ye Seas as Lord High Admiral of England, vizt., from May, 1663, to his laying down his commission, May, 1673.” Another great curiosity is the original “Libro de Cargos as to Provisions and Munic̃ons of the Proveedor of the Spanish Armada, 1588,” with a hole right through, for the purpose of hanging it up in the ship.

Besides all the papers on naval affairs in the Pepysian Library, there is a series of fifty volumes of Pepys’s manuscripts in the Rawlinson Collection in the Bodleian Library. How these papers came into the possession of Rawlinson is not known.

What gives a special interest to the Library is the fact that it still remains in exactly the same condition as Pepys left it, the books being in the original cases, arranged in the order which he had fixed. There are several entries in the “Diary” relating to the arrangement and cataloguing of the books; thus on December 17th, 1666, we read:—“Spent the evening in fitting my books, to have the number set upon each, in order to my having an alphabet of my whole, which will be of great ease to me.” He employs his brother John to write out the catalogue “perfectly alphabeticall,”[120] but he afterwards finishes it off with his own hand.[121] He was very particular as to the books he admitted into his catalogue, so when he bought in the Strand “an idle rogueish French book, ‘L’escholle des filles,’” he resolved, as soon as he had read it, to burn it, “that it might not stand in the list of books nor among them, to disgrace them if it should be found.”[122] He had, at a later time, a similar feeling with regard to Lord Rochester’s poems, and in a letter dated Nov. 2, 1680, he directs Hewer to leave the volume in a drawer, as it is written in a style which he thought unfitted it for mixing with his other books. He adds that as the author (who had just died) was past writing any more poems so bad in one sense, he despaired of any man surviving “to write so good in another.”[123] When I was looking over the Library I made a point of seeing whether this book had found a place at last on the shelves, and I discovered it there; but with sad hypocrisy it stood in false colours, for the lettering on the back was “Rochester’s Life.”

The books were numbered consecutively throughout the Library, and, therefore, when re-arranged, they needed to be all renumbered. All hands were pressed into this service; and we read that on the 15th of February, 1667–68, Pepys himself, his wife, and Deb Willett, were busy until near midnight “titleing” the books for the year, and setting them in order. They all tired their backs, but the work was satisfactory, though, on the whole, not quite so much so as the previous year’s job had been.

On account of this constant changing, each book contains several numbers, sometimes as many as six; and the last, which is the one by which the books are still found, is in red ink.

The books are arranged in eleven curious old mahogany bookcases, which are mentioned in the “Diary,” under date August 24th, 1666, and which gave the Diarist so much pleasure, when they were sent home quite new by Mr. Sympson, the joiner and cabinet-maker. The presses are handsomely carved, and have handles fixed at each end; the doors are formed of little panes of glass; and, in the lower divisions, the glass windows are made to lift up. The books are all arranged in double rows; but, by the ingenious plan of placing small books in front of large ones, the letterings of all can be seen. Some have tickets on the outside, and this practice is mentioned in the “Diary,” where we read: “To my chamber, and there to ticket a good part of my books, in order to the numbering of them for my easy finding them to read as I have occasion.”[124]

The word “arranged” has been several times used in this chapter; but it must not be understood as implying any kind of classification, for the books are merely placed in order of size. This arrangement, however, has been very carefully attended to; and, in one instance, some short volumes have been raised to the required height by the help of wooden stilts, gilt in front.

The classification was to be found in the catalogues; and, as Pepys increased in substance, he employed experts to do this work for him. One of these was Paul Lorrain, the author of several tracts and sermons, who was employed in copying manuscripts, and making catalogues of books and prints. A letter from this man, written on October 12th, 1700, to explain the nature of the work he then had in hand, is printed in the correspondence of Pepys.

There are numerous entries in the “Diary” relating to the binding of certain books; and a single glance at the Library as it now exists would show any one experienced in the matter that Pepys paid great attention to this most important point in the proper preservation of a library. As early as May 15th, 1660, he showed this taste by buying three books solely on account of the binding; and on January 18th, 1664–65, he went to his bookseller to give directions for the new binding of a great many of his old books, in order that his whole studyful should be uniform. Nearly all the books are bound in calf, although some are in morocco and some in vellum.