The last instance of Pepys’s weeding-out process shall be “Hudibras,” and it is the most curious of all. On the 26th of December, 1662, we read in the “Diary:” “To the Wardrobe. Hither come Mr. Battersby; and we falling into a discourse of a new book of drollery, in verse, called ‘Hudebras,’ I would needs go find it out, and met with it at the Temple: cost me 2s. 6d. But when I came to read it, it is so silly an abuse of the Presbyter Knight going to the warrs, that I am ashamed of it; and by and by meeting at Mr. Townsend’s at dinner, I sold it to him for 18d.” The book is dated 1663, and could only have been published a few days when Pepys bought and sold it at a loss of one shilling.
Warned by his previous experience, he would not buy the second part when it came out, but borrowed it “to read, to see if it be as good as the first, which the world cry so mightily up, though it hath not a good liking in me, though I had tried but twice or three times reading to bring myself to think it witty.”[130]
He still remained uneasy, and tried to appreciate the fashionable poem, so that on December 10th, 1663, he thought it well to buy both parts and place them in his library. Twenty years after this he was still doing his best to find “where the wit lies,” for we find by the “Tangier Diary” that he read the first two books on board ship during the voyage out.[131]
The edition of “Hudibras” in the Library is that of 1689, so that the earlier editions must have been exchanged for it.
It does not say much for the literary taste of the man who tried in vain to appreciate “Hudibras,” that he found Cotton’s “Scarronides, or Virgile Travestie,” “extraordinary good.”[132]
The Library contains many very valuable volumes; as, for instance, there are nine Caxtons, and several Wynkyn de Wordes and Pynsons, but the chief interest centres in the various collections.
First and foremost among these are the five folio volumes of old English Ballads, which contain the largest series of broadside ballads ever brought together; the next in size being the well-known Roxburghe Collection, now in the British Museum.
Pepys has written on the title-page of his volumes: “Begun by Mr. Selden: Improved by ye addition of many Pieces elder thereto in Time, and the whole continued down to the year, 1700, When the Form till then peculiar thereto, vizt., of the Black Letter, with Picturs, seems (for cheapness sake) wholly laid aside, for that of the White Letter, without Pictures.”
The Ballads are arranged under the following heads:—1. Devotion and Morality. 2. History, true and fabulous. 3. Tragedy, viz. murders, executions, judgements of God. 4. State and Times. 5. Love, pleasant. 6. Love, unfortunate. 7. Marriage, cuckoldry. 8. Sea: love, gallantry, and actions. 9. Drinking and good fellowship. 10. Humorous frolics and mirth. The total number of Ballads is 1800, of which 1376 are in black letter. Besides these there are four little duodecimo volumes, lettered as follows: Vol. 1. Penny Merriments. Vol. 2. Penny Witticisms. Vol. 3. Penny Compliments; and Vol. 4. Penny Godlinesses.
Other collections are lettered “Old Novels,” “Loose Plays,” and “Vulgaria.” There are six folio volumes of tracts on the Popish Plot, four quarto volumes of Sea Tracts, and a collection of News-Pamphlets for six years, that is, from January 1st, 1659–60, to January 1st, 1665–66, the time of the commencement of the Gazettes. Pepys was the first person to collect prints and drawings in illustration of London topography. These he left to his nephew, who added to the collection, and two thick folio volumes therefore came to the College with the other treasures.