In the present day, when few instruments besides the piano are heard in private houses, it is somewhat surprising to find how many were familiar to our ancestors in the seventeenth century, and a note of some of these will perhaps be thought interesting.
The lute was a favourite instrument when Pepys was young, and a good lutenist was in high esteem among his fellows. Lady Wright’s butler gave Pepys a lesson or two, and in the first two years of the “Diary,” there are several references to the hours the Diarist spent in practising; but for a time he was unable to play, as his lute was in pawn. Various forms of the violin were much used by Pepys, who rose by candlelight on the 3rd of December, 1660, and spent his morning in fiddling, till it was time to go to the office.
He and Mr. Hill were engaged for an hour or two in stringing a theorbo; and, on another occasion, he had it mended at a cost of twenty-six shillings. The flute and flageolet were always handy, as he could put them in his pocket, and use them as occasion required, particularly if he were in the neighbourhood of an echo. He mentions the guitar twice in the “Diary,” but did not play on it, as he thought it a bauble. He afterwards altered his opinion, for he expressly charges Morelli, the arranger of his musical papers, to set a certain French song to the guitar; and, as may be seen above, many others were treated in the same way.[138] He is at one time angry with The. Turner because she will not give him a lesson on the harpsichord; and afterwards he buys a spinet.[139]
I here end the portion of this book which deals with the life of Pepys himself.
The “Correspondence” discovers a more dignified character than the “Diary,” but we cannot say for certain whether, if we had a diary of the later years, we should not read such a confession as this on the 27th of January, 1666–67:—“Went down and sat in a low room (at Sir Philip Warwick’s), reading ‘Erasmus de scribendis epistolis,’ a very good book, especially one letter of advice to a courtier, most true and good, which made me once resolve to tear out the two leaves that it was writ in, but I forbore it.”
FOOTNOTES:
- [119] Harl. MS. 7,031, pp. 208, 209. “Samuel Pepys, his disposition and settlement of his Library.”
- [120] “Diary,” Jan. 8, 1666–67.
- [121] Feb. 4, 1666–67.
- [122] Feb. 8, 1667–68.
- [123] Smith’s “Life, &c., of Pepys,” vol. i. p. 247.
- [124] “Diary,” Dec. 19, 1666.
- [125] “Diary,” Aug. 10, 1663.
- [126] “Diary,” June 14, 1663.
- [127]
- “Allas! what hath this lovers the agylte?
- Dispitous Day, thyn be the pyne of Helle!
- For many a lover hastow slayn, and wilt;
- Thi pourynge in wol nowher lat hem dwelle:
- What? profrestow thi light here for to selle?
- Go selle it hem that smale seles grave,
- We wol the nought, as nedeth no day have!”
- Troylus and Cryseyde, book iii. ll. 1408–14.
- [128] This is so interesting a fact that I think Dryden’s letter to Pepys on the subject may well appear in full at this place:—
- “July 14, 1699.
- “Padron Mio,
- “I remember last year when I had the honour of dining with you, you were pleased to recommend to me the character of Chaucer’s “Good Parson.” Any desire of yours is a command to me, and accordingly I have put it into my English, with such additions and alterations as I thought fit.
- “Having translated as many fables from Ovid, and as many novels from Boccace, and tales from Chaucer, as will make an indifferent large volume in folio, I intend them for the press in Michaelmas term next. In the mean time my Parson desires the favour of being known to you, and promises if you find any fault in his character, he will reform it. Whenever you please, he shall wait on you, and for the safer conveyance, I will carry him in my pocket, who am
- “My Padron’s most obedient servant,
- “John Dryden.
- “For Samuel Pepys, Esq.,
At his house in York Street, These.” - In Pepys’s answer, dated on the same day, he writes: “You truly have obliged me, and, possibly, in saying so, I am more in earnest than you can readily think, as verily hoping from this your copy of one ‘Good Parson’ to fancy some amends made me for the hourly offence I bear with from the sight of so many lewd originals.”—Smith’s “Life, &c., of Pepys,” vol. ii. pp. 254–55.
- [129] Smith’s “Life, &c., of Pepys,” vol. i. pp. 169–81.
- [130] “Diary,” Nov. 28, 1663.
- [131] Smith’s “Life, &c., of Pepys,” vol. i. p. 343.
- [132] “Diary,” March 2, 1663–64.
- [133] “Diary,” Dec. 21, 1663.
- [134] “Notes and Queries,” 1st S. vi. 534.
- [135] “The little knowledge in music which I have, never was of more use to me than it is now, under the molestations of mind which I have at this time more than ordinary to contend with.”—Smith’s “Life, &c., of Pepys,” vol. i. p. 199.
- [136] “Diary,” Nov. 30, 1667.
- [137] “Diary,” Dec. 6, 1665; Feb. 23, 1665–66; Nov. 9, 1666.
- [138] Letter dated Sept. 25, 1679, in Smith’s “Life, &c., of Pepys,” vol. i. p. 200.
- [139] References to the “Diary” where the several instruments are mentioned:—
- Lute, Jan. 25, 31, Feb. 4, March 18, 1659–60; Oct. 21, Nov. 9, 21, 1660; May 26, 1662.
- Viol, Jan. 4, March 4, 6, Feb. 17, 1662–63; Sept. 28, 1664.
- Lyre viol, Nov. 17, 1660; Oct. 16, Nov. 20, 1666.
- Bass viol, July 5, 1662; April 17, 1663.
- Arched viol, Oct. 5, 1664.
- Treble, April 23, 1660.
- Violin, March 6, 1659–60; April 6, 10, Nov. 21, 1660; April 23, June 6, 1661; June 15, 1663.
- Theorbo, March 5, 1569–60; Nov. 24, Dec. 30, 1660; Oct. 9, 28, Dec. 7, 1661; Aug. 21, 1663; July 30, 1666.
- Guitar, June 8, 1660; July 27, 1661.
- Cittern, June 5, 1660; Jan. 17, 1660–61.
- Bandore, Oct. 15, 1662.
- Recorder, April 8, 1668.
- Flageolet, Jan. 16, 30, Feb. 8, 9, 27, 1659–60; May 14, June 21, 1660; June 5, 1661; Jan. 20, 1667–68.
- Triangle, March 18, 1662–63; April 1, 15, June 21, 1663.
- Triangle virginal, June 14, 1661.
- Virginals, Dec. 8, 1660; Sept. 2, 1666.
- Spinet (espinette), April 4, July 10, 13, 1668.
- Harpsichord, March 17, 1659–60; Feb. 26, 1660–61; April 31, June 18, 1661; Sept. 9, 1664; April 4, 1668.
- Dulcimer, June 23, 1662.
- Trumpet marine, Oct. 24, 1667.