[18] His equipment, as M. Charles Loiseau (in Le Balkan Slave et la Crise Autrichienne, Paris, 1898) remarks very truly, "n'est pas banal." One of his historians relates that he was furnished with a sword, a lance, javelins and arrows trimmed with falcons' feathers, sometimes also with a sabre and a small axe. He was garbed in a cloak of wolf's skin, using the same skin for his cap, round which was wound a dark piece of cloth. On his saddle was a scarf of silk. The reins of his horse were gilded, and he carried in his right hand a javelin of iron, gold and silver, weighing 150 lb. (?), and this he balanced on the left side with a large skin of wine. On his back was a magnificent cloak, and behind him there was a folded tent.
[19] Monumenta Serbica, edited by F. Miklosić.
II
FIGHTING THE DARKNESS
The Venetians in Dalmatia—Methods of the Turk—The Slavs who migrated—The consolation of those who remained—Good living in Hungary—The Protestant influence—Dubrovnik, refuge of the arts—How she smoothed her way—Her commercial enterprise—Her northern kinsmen and the military frontiers—The oppressive overlords of the Yugoslavs—The great migration under the Patriarch—Activities of the Southern Slavs under the Habsburgs—The position of their Church—Serbs assist the Bulgarian Renascence—The German colonists in the Banat—The Southern Slav colonists and their religion—Bunjevci, Šokci and Krašovani.
THE VENETIANS IN DALMATIA
One might argue that the Slav of Dalmatia had no gratitude, because when Serbia and Bosnia were utterly under the Turk, when the Slovenes of Carniola, Carinthia and Southern Styria suffered between 1463 and 1528 no less than ten Turkish invasions, when in the middle of that fifteenth century the crescent floated over all Croatia and only the fortified towns of the seacoast and the islands remained in the Christian hands of Venice, whom a fair number of these towns and islands had called in to protect them, surely one might argue that it was not seemly if the local population, Croats and Serbs, detested the Venetians. And on hearing that not long ago an orator in the Italian Parliament exclaimed, "I cani croati!"—a description that was greeted with a whirlwind of applause—you possibly might argue that the Speaker should have reprimanded him because ingratitude is not a quality associated with dogs.
As we gaze at the splendid structures, the palaces, the forts, the magnificent cathedral of Šibenik that was begun in 1443, the loggia of Trogir and Hvar, the loggia of Zadar—"a perfect example," we are told, "of a public court of justice of the Venetian period"—the towers on the old town-walls of Korčula, as we gaze at all those elegant and useful and robust and picturesque buildings which bear the sign of the Lion of St. Mark, do not the complaints of the disgruntled population of that period tax our patience?
We may waive the fact that the Šibenik cathedral was left unfinished for centuries, being only completed by public subscription under the Austrians; we may overlook the fact that the Lion of St. Mark was sometimes placed on a building not erected by the Venetians. This we can see at the Frankopan Castle on Krk, and elsewhere. But it would be unjust if we held Venice up to blame on account of some exuberant citizens. There are many other buildings in Dalmatia which undoubtedly were built by the Venetians: palaces and forts and walls and loggia which are perfect examples of a Venetian court of justice.