A Volunteer Poilu

by Henry Beston

The violinist, clutching his instrument, hurried down the stairs followed by all the others, leaving the chords of the uncompleted "Prelude" to hang in the startled air. Shells were popping everywhere—crashes of smoke and violence—in the roads, in the fields, and overhead. The Germans were trying to isolate the few detachments en repos in the village, and prevent reinforcements coming from Dieulouard or any other place. To this end all the roads between Pont-à-Mousson and the trenches, and the roads leading directly to the trenches, were being shelled.

"Go at once to Poste C!"

The winding road lay straight ahead, and just at the end of the village street, the Germans had established a tir de barrage. This meant that a shell was falling at that particular point about once every fifty seconds. I heard two rafales break there as I was grinding up the machine. Up the slope of the Montauville hill came several of the other drivers. Tyler, of New York, a comrade who united remarkable bravery to the kindest of hearts, followed close behind me, also evidently bound for Poste C. German bullets, fired wildly from the ridge of The Wood over the French trenches, sang across the Montauville valley, lodging in the trees of Puvenelle behind us with a vicious tspt; shells broke here and there on the stretch leading to the Quart-en-Réserve, throwing the small rocks of the road surfacing wildly in every direction. The French batteries to our left were firing at the Germans, the German batteries were firing at the French trenches and the roads, and the machine guns rattled ceaselessly. I saw the poilus hurrying up the muddy roads of the slope of the Bois-le-Prêtre—vague masses of moving blue on the brown ways. A storm of shells was breaking round certain points in the road and particularly at the entrance to The Wood. I wondered what had become of the audience at the concert. Various sounds, transit of shells, bursting of shells, crashing of near-by cannon, and rat-tat-tat-tat! of mitrailleuses played the treble to a roar formed of echoes and cadences—the roar of battle. The Wood of Death (Le Bois de la Mort) was singing again.

That day's attack was an attempt by the Germans to take back from the French the eastern third of the Quart-en-Réserve and the rest of the adjoining ridge half hidden in the shattered trees. At the top of the plateau, by the rise in the moorland I described in the preceding chapter, I had an instant's view of the near-by battle, for the focus was hardly more than four hundred yards away. There was a glimpse of human beings in the Quart—soldiers in green, soldiers in blue—the very fact that anybody was to be seen there was profoundly stirring. They were fighting in No Man's Land. Tyler and I watched for a second, wondering what scenes of agony, of heroism, of despair were being enacted in that dreadful field by the ruined wood.

We hurried our wounded to the hospital, passing on our way detachments of soldiers rushing toward The Wood from the villages of the region. Three or four big shells had just fallen in Dieulouard, and the village was deserted and horribly still. The wind carried the roar of the attack to our ears. In three quarters of an hour, I was back again at the same moorland poste, to which an order of our commander had attached me. Montauville was full of wounded. I had three on stretchers inside, one beside me on the seat, and two others on the front mudguards. And The Wood continued to sing. From Montauville I could hear the savage yells and cries which accompanied the fighting.

Half an hour after the beginning of the attack, the war invaded the sky, with the coming of the German reconnoitering aeroplanes. One went to watch the roads leading to The Wood along the plateau, one went to watch the Dieulouard road, and the other hovered over the scene of the combat. The sky was soon dotted with the puffs of smoke left by the exploding shells of the special anti-aircraft "seventy- fives." These puffs blossomed from a pin-point of light to a vaporous, gray-white puff-ball about the size of the full moon, and then dissolved in the air or blew about in streaks and wisps. These cloudlets, fired at an aviator flying along a certain line, often were gathered by the eye into arrangements resembling constellations. The three machines were very high, and had a likeness to little brown and silver insects.

The Boche watching the conflict appeared to hang almost immobile over the Quart. With a striking suddenness, another machine appeared behind him and above him. So unexpected was the approach of this second aeroplane that its appearance had a touch of the miraculous. It might have been created at that very moment in the sky. The Frenchman—for it was an aviator from the parc at Toul, since killed at Verdun, poor fellow—swooped beneath his antagonist and fired his machine gun at him. The German answered with two shots of a carbine. The Frenchman fired again. Suddenly the German machine flopped to the right and swooped down; it then flopped to the left, the tail of the machine flew up, and the apparatus fell, not so swiftly as one might expect, down a thousand feet into The Wood. When I saw the wreckage, a few days afterwards, it looked like the spilt contents of â waste-paper basket, and the aviators, a pilot and an observer, had had to be collected from all over the landscape. The French buried them with full military honors.

Thanks to the use of a flame machine, the Germans succeeded in regaining the part of the ridge they had lost, but the French made it so hot for them that they abandoned it, and the contested trenches now lie in No Man's Land. All that night the whole Wood was illuminated, trench light after trench light rising over the dark branches. There would be a rocket like the trail of bronze-red powder sparks hanging for an instant in the sky, then a loud Plop! and the French light would spread out its parachute and sail slowly down the sky toward the river. The German lights (fusées éclairantes), cartridges of magnesium fired from a gun resembling a shotgun, burned only during their dazzling trajectory. At midnight the sky darkened with low, black rain clouds, upon whose surface the constant cannon fire flashed in pools of violet-white light. Coming down from the plateau at two in the morning, I could see sharp jabs of cannon fire for thirty miles along the front on the other side of the Moselle.

Just after this attack a doctor of the army service was walking through the trenches in which the French had made their stand. He noticed something oddly skewered to a tree. He knocked it down with a stone, and a human heart fell at his feet.

The most interesting question of the whole business is, "How do the soldiers stand it?" At the beginning of my own service, I thought Pont-à-Mousson, with its ruins, its danger, and its darkness, the most awful place on the face of the earth. After a little while, I grew accustomed to the décor, and when the time came for me to leave it, I went with as much regret as if I were leaving the friendliest, most peaceful of towns. First the décor, growing familiar, lost the keener edges of its horror, and then the life of the front—the violence, the destruction, the dying and the dead—all became casual, part of the day's work. A human being is profoundly affected by those about him; thus, when a new soldier finds himself for the first time in a trench, he is sustained by the attitude of the veterans. Violence becomes the commonplace; shells, gases, and flames are the things that life is made of. The war is another lesson in the power of the species to adapt itself to circumstances. When this power of adaptability has been reinforced by a tenacious national will "to see the thing through," men will stand hell itself. The slow, dogged determination of the British cannot be more powerful than the resolution of the French. Their decision to continue at all costs has been reached by a purely intellectual process, and to enforce it, they have called upon those ancient foundations of the French character, the sober reasonableness and unbending will they inherit from Rome.