“Ahoy, John—thanks for coming in. What’s it like outside?”
“It’s snowing. Winter’s come, I guess,” he said, with a meditative grin.
We talked, I gave him the letter, and he went out into the dark break of dawn, the wind, and the snow.
My fire had gone out, the Fo’castle was raw and cold, but my wood was ready, and I soon had a fire crackling. All winter long, I kept a basket of little sticks and fragments of driftwood ready for the morning, and began the day with a bonfire in the fireplace. A hearthful of high, leaping flame sends out a quick and plentiful heat. Light came slowly into the world, coming not so much from the east as from some vague, general nowhere—a light that did not grow brighter but only increased in quantity. A northwest snow squall was blowing across the sedgy marshes and the dunes, “seeming nowhere to alight” in the enormous landscape, and whirling off to the sullen, iron-green, and icy sea. As I watched, half-a-dozen gulls came sailing over from the marsh. These birds like foul weather and have a way of flying out over along the breakers a few minutes after the edge of a cloud has hidden the sun, and there is a strange, ominous sense of storm in this great natural scene.
The snow skirted along the beach, the wind suffering it no rest; I saw little whirlpools of it driving down the sand into the onrush of the breakers, it gathered in the footprints of the coast guard patrols, building up on their leeward side and patterning them in white on the empty beach. The very snow in the air had a character of its own, for it was the snow of the outer Cape and the North Atlantic, snow icy and crystalline, and sweeping across the dunes and moors rather than down upon them. Chancing to look to the north, I saw Nauset Light still turning and gleaming, and as I watched, it suddenly sank to a storm-smothered and distant glow and stopped. By the almanac, the sun had risen. So began the worst winter on the Cape for close upon fifty years, a winter marked by great storms and tides, six wrecks, and the loss of many lives.
The sun, this December morning, has come to the end of his southern journey, he climbs the whitish sky to the south over the white fury of the Orleans shoals, and takes on a silvery quality from the pallor of the sky. On such a morning went ancient peoples to their hills, and cried to the pale god to return to their woods and fields; perhaps the vanished Nausets danced a ceremonial dance on those inland moors, and the same northwest wind carried the measured drumming to these dunes. A morning to go out upon the dunes and study the work of winter. Between the cold blue of the sea and the levels of the marshes, the long wall of the dunes lies blanched to a whiter pallor than the surrounding landscape, for there is no russet and but little gold in dune grass when it dies. That intricacy of green, full-fleshed life, which billowed like wild wheat in the summer’s southwest wind, has thinned away now to a sparse world of separate heads, each one holding, as in a fist, a clump of whitish and mildewed wires.
The sand moves beneath. This shrinking of summer’s vegetation, this uncovering of the body of the dune, has permitted the winter gales to reach the sand, and all up and down the great wall, on the tops of the dunes, the surface sand is moving. The direction of this movement varies, of course, with the direction of the wind, but in general the movement is toward the sea, for the prevailing winter winds are northwesterly. In some places the blown and creeping sand has covered the grass so deeply that only the very tips of the withered spikes rise out of it; in other places, on the landward rims of the dunes, the wind has blown the sand entirely away from the plant and left a withered tangle of roots and stalks sprawling in the wind. Here and there, in the dead, whitish grass, one encounters a stray tiny spotlet of snow, relic of a storm a fortnight past. Such spots linger here for inexplicable weeks and have an air of things disregarded and forgotten.
I have written of the movement of sand on the surface of the dune, yet the very essence of the work of winter here is the quieting, the enchainment of the mass of the sand. The sun no longer being hot enough to dry it, moisture lies on it and within it, it loses its fluidity, it takes on weight and definition. Footprints which the summer would erase in a quarter of an hour remain in well-sheltered places for days and even weeks. There is a winter change of colour, as well. The warm golden quality vanishes and is replaced by a tone of cold silver-grey, which makes no flashing answer to the sun.
The Winter Beach