* In the Exhibition of the Royal Academy of 1867, there was
a picture by Alfred Elmore, R.A., taken almost from this
spot.
But we never get much nearer than talking distance, conversing from one roof to another with a narrow street like a river flowing between us; and only once or twice during our winter sojourn, did we succeed in enticing a veiled houri to venture on our terrace and shake hands with the 'Frank.' If we could manage to hold a young lady in conversation, and exhibit sufficient admiration of her to induce her, ever so slightly, to unveil whilst we made a hasty sketch, it was about all that we could fairly succeed in accomplishing, and 'the game was hardly worth the candle:' it took, perhaps, an hour to ensnare our bird, and in ten minutes or less, she would be again on the wing. Veiled beauties are interesting (sometimes much more interesting for being veiled); but it does not serve our artistic purposes much to see two splendid black eyes and a few white robes.
However models we must have, although the profession is almost unknown in Algiers. At Naples we have only to go down to the seashore, at Rome to the steps of St. Peter's, and we find 'subjects' enough, who will come for the asking; but here, where there is so much distinctive costume and variety of race, French artists seem to make little use of their opportunities.
It takes some days before we can hear of any one who will be willing to sit, for double the usual remuneration. But they come at last, and when it gets abroad that the Franks have money and 'mean business,' we have a number of applicants, some of whom are not very desirable, and none particularly attractive.
We select 'Fatima' first, because she is the youngest and has the best costume, and also because she comes with her father and appears tractable. She is engaged at two francs an hour, which she considers poor pay.
How shall we give the reader an idea of this little creature, when she comes next morning and coils herself up amongst the cushions in the corner of our room, like a young panther in the Jardin des Plantes? Her costume, when she throws off her haïk (and with it a tradition of the Mahommedan faith, that forbids her to show her face to an unbeliever) is a rich loose crimson, jacket embroidered with gold, a thin white bodice, loose silk trowsers reaching to the knee and fastened round the waist by a magnificent sash of various colours; red morroco slippers, a profusion of rings on her little fingers, and bracelets and anklets of gold filagree work. Through her waving black hair are twined strings of coins and the folds of a silk handkerchief, the hair falling at the back in plaits below the waist.
She is not beautiful, she is scarcely interesting in expression, and she is decidedly unsteady. She seems to have no more power of keeping herself in one position or of remaining in one part of the room, or even of being quiet, than a humming top. The whole thing is an unutterable bore to her, for she does not even reap the reward—her father or husband, or male attendant, always taking the money.
She is petite, constitutionally phlegmatic, and as fat as her parents can manage to make her; she has small hands and feet, large rolling eyes—the latter made to appear artificially large by the application of henna or antimony black; her attitudes are not ungraceful, but there is a want of character about her, and an utter abandonment to the situation, peculiar to all her race. In short her movements are more suggestive of a little caged animal that had better be petted and caressed, or kept at a safe distance, according to her humour. She does one thing, she smokes incessantly and makes us cigarettes with a skill and rapidity which are wonderful.
Her age is thirteen, and she has been married six months; * her ideas appear to be limited to three or four; and her pleasures, poor creature, are equally circumscribed. She had scarcely ever left her father's house, and had never spoken to a man until her marriage. No wonder we, in spite of a little Arabic on which we prided ourselves, could not make much way; no wonder that we came very rapidly to the conclusion that the houris of the Arabian Nights, must have been dull creatures, and their 'Entertainments' rather a failure, if there were no diviner fire than this. No wonder that the Moors advocate a plurality of wives, for if one represents an emotion, a harem would scarcely suffice!
* We hear much of the perils of living too fast, and of the
preternaturally aged, worn appearance, of English girls
after two or three London seasons. What would a British
matron say to a daughter—a woman at twelve, married at
thirteen, blasée directly, and old at twenty?