The Art of Illustration / 2nd ed.

by Henry Blackburn

2nd. Pictures of the highest class that can be printed in a newspaper?

Here are two methods of illustration which only require to be kept distinct, each in its proper place, and our interest in them would be doubled. We ask first for a record of news and then for a picture gallery; and to know, to use a common phrase, which is which.”

At the time referred to, drawing on the wood-block and engraving were almost universal—instantaneous photography was in its infancy, “process blocks,” that is to say, mechanical engraving, was very seldom employed, and (for popular purposes) American engraving and printing was considered the best.

The system of producing illustrations in direct fac-simile of an artist’s drawing, suitable for printing at a type press without the aid of the wood engraver, is of such value for cheap and simple forms of illustration, and is, moreover, in such constant use, that it seems wonderful at first sight that it should not be better understood in England. But the cause is not far to seek. We have not yet acquired the art of pictorial expression in black and white, nor do many of our artists excel in “illustration” in the true sense of the word.

It has often been pointed out that through the pictorial system the mind receives impressions with the least effort and in the quickest way, and that the graphic method is the true way of imparting knowledge. Are we then, in the matter of giving information or in imparting knowledge through the medium of illustrations, adopting the truest and simplest methods? I venture to say that in the majority of cases we are doing nothing of the kind. We have pictures in abundance which delight the eye, which are artistically drawn and skilfully engraved, but in which, in nine cases out of ten, there is more thought given to effect as a picture than to illustrating the text.

It has often been suggested that the art of printing is, after all, but a questionable blessing on account of the error and the evil disseminated by it. Without going into that question, I think that we may find that the art of printing with movable type has led to some neglect of the art of expressing ourselves pictorially, and that the apparently inexorable necessity of running every word and thought into uniform lines, has cramped and limited our powers of expression, and of communicating ideas to each other.

Let us begin at the lowest step of the artistic ladder, and consider some forms of illustration which are within the reach of nearly every writer for the press. With the means now at command for reproducing any lines drawn or written, in perfect fac-simile, mounted on square blocks to range with the type, and giving little or no trouble to the printer, there is no question that we should more frequently see the hand work of the writer as well as of the artist appearing on the page. For example: it happens sometimes in a work of fiction, or in the record of some accident or event, that it is important to the clear understanding of the text, to know the exact position of a house, say at a street corner, and also (as in the case of a late trial for arson) which way the wind blew on a particular evening. Words are powerless to explain the position beyond the possibility of doubt or misconstruction; and yet words are, and have been, used for such purposes for hundreds of years, because it is “the custom.”

But if it were made plain that where words fail to express a meaning easily, a few lines, such as those above, drawn in ink on ordinary paper, may be substituted (and, if sent to the printer with the manuscript, will appear in fac-simile on the proof with the printed page), I think a new light may dawn on many minds, and new methods of expression come into vogue.

This illustration (which was written on the sheet of MS.) is one example, out of a hundred that might be given, where a diagram should come to the aid of the verbal description, now that the reproduction of lines for the press is no longer costly, and the blocks can be printed, if necessary, on rapidly revolving cylinders, which (by duplicating) can produce in a night 100,000 copies of a newspaper.