"I know that I was that way," continued Randolph, looking studiously at the nearest candle-shade. "I was beyond the middle twenties before I quite launched out for myself, and any kindness received was taken without much question and without much thanks. I presume that he still has some assistance from home…."

He dropped youthful insouciance over favors received to consider the change that marriage makes in a young man's status. "I wouldn't go so far as to assert that a young man married is a man that's marred——"

"This is stiff doctrine," Foster acknowledged.

"But somehow he does seem done for. He is placed; he is cut off from wide ranges of interesting possibilities; he offers himself less invitingly to the roving imagination…."

Meanwhile Cope, with Randolph's invitation driven altogether from his mind by more urgent matters, was pacing the streets, through the first snow-flurries of the winter, and was wondering, rather distractedly, just where he stood. Precisely what words, at a very brief yet critical juncture, had he said, or not said? Exactly how had he phrased—or failed to phrase—the syllables which constituted, perhaps, a turning-point in his life?

Amy Leffingwell had demanded his attendance for one more walk, that afternoon, and he had not been dextrous enough, face to face with her, to refuse. She had expressed herself still more insistently on "happiness"—(on hers, his, theirs; the two were one, in her view)—and on a future shared together. In just what inadequate way had he tried to fend her off? Had he said, "I shall have to wait?" Or had his blundering tongue said, instead, "We should have to wait?"—or even worse, "We shall have to wait?" In any event, he had used that cowardly, temporizing word "wait"—for she had instantly seized upon it. Why, yes, indeed; she was willing to wait; she had expected to wait….

He turned out from an avenue lighted with electric globes, past which the snowflakes were drifting, and entered a quieter and darker side-street. In the dusk she had put up her face, expecting to be kissed; and he, partly out of pity for the expression that came when he hesitated, and partly out of pure embarrassment and inexpertness, had lightly touched her lips. That had sealed it, possibly. He saw her sitting in rapt fancy in her bedroom—if not more vocal in the rooms below. He saw her writing to an unseen mother in a tone of joyful complacency, and looking at her finger for a ring which he could not place there. He saw the distaste of his own home circle, to which this event had come at least a year too soon. He saw the amazement, and worse, of Arthur Lemoyne, whose plans for coming to town were now all made and to whom this turn would prove a psychological shock which might deter him from coming at all. But, most of all, he saw—and felt to the depths of his being—his own essential repugnance to the life toward which he now seemed headed. What an outlook for Christmas! What an unpleasant surprise for his parents! What opportunity in Amy Leffingwell's holiday vacation at Fort Lodge to reinforce the written page by the spoken word! Still forgetful of his engagement with Randolph, he continued to walk the streets. He turned in at midnight, hoping he might sleep, and trusting that morning would throw a less sinister light on his misadventure.

Long before this, Joseph Foster had been put to bed, by Sing-Lo, in this spare room. It was Foster's crutch, rather than a knightly sword, which leaned against the door-jamb; and it was Foster's crooked members, rather than the straight young limbs of Cope, which first found place among the sheets and blankets of that shining new brass bedstead.

20

COPE HAS A DISTRESSFUL CHRISTMAS