V
You are not to suppose that while I was free to visit Johnny in the stable, I was not free to visit Raymond in the house. Though my people lived rather modestly on a side street, the interior of the Prince residence was not unknown to me. On one occasion Raymond took me up to his room so that I might hear some of his writings. He had been to Milwaukee or to Indianapolis, and had found himself moved to set down an account of his three days away from home. He led me through several big rooms downstairs before we got to his own particular quarters above. The furnishing of these rooms impressed me at the time; but I know, now, that they were heavy and clumsy when they were meant to be rich and massive, and were meretricious when they were meant to be elegant. It was all of the Second Empire, qualified by an erratic, exaggerated touch that was natively American. I am afraid I found it rather superb and was made uncomfortable—was even intimidated by it; all the more so that Raymond took it completely for granted. One room contained a big orchestrion with many pipes in tiers, like an organ's. On one occasion I heard it play the overture to "William Tell," and it managed the "Storm" very handily. There was a large, three-cornered piano in the same room—one of the sort I never could feel at home with; and this instrument, more than the other, I suppose, gave Raymond his futile and disadvantageous start toward music. Travel; art; anything but the bank.
I have no idea at what time of day he introduced me into the house, but it was an hour at which the men, as well as the women, were at home. In one part or another of the hall I met his mother. She was dark and lean; without being tall, she looked gaunt. She seemed occupied with herself, as she moved out of one shadow into another, and she gave scant attention to a casual boy. Raymond was really no more hospitable than any young and growing organism must be; but perhaps she was thankful that it was only one boy, instead of three or four.
In another room, somewhere on the first floor, I had a glimpse of his father. I remember him as a sedate man who did not insist. If he set a boy right, it was done but verbally; the boy was left to see the justness of the point and to act on it for himself. I gathered, later, that James Prince had done little, unaided, for himself; whatever he had accomplished had been in conjunction with other men—with his father, particularly; and when his father died, a few years later, he was the chief heir—and he never added much to what he had received. To him fell the property—and its worries. The worries, I surmise, were the greater part of it all. Everything has to be paid for, and James Prince's easily gained success was paid for, through the ensuing years, with considerable anxieties and perturbations.
It was his father, I presume, who was with him as I passed the library door: a bent, gray man, with a square head and a yellow face. A third man was between them; a tall, dry, cold fellow with iron-gray beard and no mustache—a face in the old New England tradition. This man was, of course, their lawyer, and I judge that he gave them little comfort. I felt him as chill and slow, as enjoying the tying and untying of legalities with a stiff, clammy hand, and as unlikely to be hurried on account of any temperament possessed by himself or manifested by his clients. Fire, in a wide sweep, had overtaken the town a year or two before—a community owned by the Eastern seaboard and mortgaged to its eyebrows; and the Princes, as I learned years later, had been building extensively on borrowed capital just before the fire-doom came. Probably too great a part of the funds employed came from their own bank.
Raymond, once the second floor was reached, showed me his desks and bookcases; also a new sort of pen which he had thought to be able to use, but which he had cast aside. And he offered to read me his account of the three days in Milwaukee, or wherever.
"If you would like to hear...?" he said, with a sort of bashful determination.
"Just as you please," I replied, patient then, as ever after, in the face of the arts.