The Brainards lived on a corner, and the house was so set as to allow a narrow strip of yard along the side street. It was built in the yellow limestone which used to come from quarries at Joliet, and the architect had shown his preference for the exaggerated keystones that had so great a vogue in the late sixties. The house had a basement, and above the elaborate wooden cornice there was a mansard with several windows that were set in a frame-work of clumsy and pretentious carpentry. Behind the house was a brick stable; it had been built of cheap material and covered with a cheaper red wash. The dampness of the lower walls had caused this wash to discolor and then to fall off altogether. Around the premises there ran an old-fashioned iron fence; it stood on a stone coping that was covered with perpendicular streaks of yellow rust. In the yard a meandering asphalt walk led past a few lilacs and syringas, which were looked down upon by a painful side porch that nobody ever used. The walk in front of the house was of stone; that at the side was of plank and showed three long lines of nail-heads.
The interior, so far as it came under Ogden's notice, was furnished with a horrible yet consistent simplicity. The large rooms were set sparely with chairs, tables, and sofas that represented the spoil of Centralia, and there were few modern additions to introduce discords. An ideal sculptured head, placed on a marble pedestal swathed in a fringed scarf of saffron silk and set between the lace curtains so as to show from the street, would have ruined the effect both within and without. Perhaps the same might be said of any other house.
Brainard himself was not visible; he was only audible. His deep voice came in a sort of deadened growl through the closed door of a small side room; and mingled with it were the querulous tones of a woman's voice—an elderly woman, a woman in poor health, a woman whom some sudden and distressful stroke had brought to the verge of tears.
The house had been built in the primitive days when local architecture was still in such exact accord with local society that anything like graded receptions was undreamed of. Everybody who seemed too good to be kept waiting in the hall was shown into the front parlor. This room had a carpet whose design was in large baskets of bright flowers, and a ceiling that was frescoed in a manner derived from a former style of railroad decoration. This scheme of decoration centred around a massive and contorted chandelier with eight globes. Nobody had ever seen the whole eight "going" at one time. Lincoln and his family were on one side of the marble mantel-piece; Grant and his family on the other.
It was in this room that Ogden was received by the elder daughter of the house. She seemed a quiet, self-poised girl, four or five years the senior of her sister. She amply filled her gown of gray woollen; her hair was drawn back from her forehead and made a knot just above the nape of her neck. She had a pair of cool, steady gray eyes. She appeared wholesome, stable, capable of keeping herself well in hand.
"My father isn't able to see you," she said; "but if you will give me what you have brought I will take it to him."
There was a tremulousness in her voice, quite at variance with her manner and appearance. She put out her hand with a wavering motion; the flaring of the gas in her face seemed to strike her with a positive pain.
A door opened suddenly and her brother Burt came in. He was a stocky young man three or four years older than Ogden. He seemed stuffed with importance both present and future, both personal and parental—he was himself and his father rolled into one.
"Abbie," he said, in a sharp, curt way, "I wish you'd find father the copy of that report you made for him yesterday." He looked at Ogden in a fashion that changed the young man from a person to a thing. "We have been looking for you some time," he said. "I'll take those papers myself."
He spoke in a way that was abrupt and autocratic. Ogden recognized it as the utterance of a masterful nature, but he was unable to see that the masterful nature was moved by an emotion that must be controlled and concealed. His indignation made no allowance for this, and his subsequent ten minutes of solitary reflection left a bitterness that passed away but lingeringly. More and more, with every moment of this short wait, did he feel himself a gentleman turned into a lackey by his inferiors.