As soon as Little O'Grady had the grace to make a move toward departure, Prochnow hastened it on. O'Grady went upstairs to banish one or two more obstacles from the way of the Car of Progress, and Prochnow took Preciosa over to the Academy to see the Winter Exhibition.
Preciosa, as has already been said, was not a girl of many ideas; yet a single one, detached, isolated, and presented to her with some ardour and directness, was easily within her grasp. The idea was now presented, and Preciosa forgot all about the pictures. For surely he who offered it was a most complete and admirable mechanism; the pulse of his heart, the beat of his brain, the flash of his eye, the tremor of his masterful hands—all these now worked in fullest harmony and told her here was a man. Preciosa, never inclined to make too much of worldly considerations, now set them aside altogether. Any idea of mere lucre slipped from her mind, and if she thought at all of a mother's strained social ambitions for a favourite child, it was but to feel with a wilful joy that she was extricating herself from the selfish grasp of Virgilia Jeffreys. Her own humble and obscure origin stirred within her,—her, the granddaughter of peasants who had trotted their bogs,—and she gave no heed to her lover's gentility or lack of it, in her unconscious tendency, even her active willingness, to "revert."
Prochnow felt the utmost confidence in his own powers, in his future, in the great scheme now under the scrutiny of the Grindstone. He glanced round the walls of the gallery, and here and there a canvas due to one hand or another that had co-operated in the rival scheme came to his view. He made silent, acidulous comments on certain manifestations of mediocrity placed there by men so much better quartered, better known, better circumstanced than himself. "Never mind," he said; "next year I shall be here, and then the difference will be seen by everybody." Well might the director welcome work from one who had distanced all others in a fair race and who unaided had brought to a triumphal issue the greatest piece of monumental decoration the town had ever known. And this little thing close by his side, panting, palpitating, flushing divinely, had helped him to conquer his success.
"It will be your triumph, too!" he told her.
"Mine?" she asked, in self-depreciation. "Why, I have not made you a single suggestion." Too truly she was no Virgilia Jeffreys.
"You have had a hand in every drawing," he insisted warmly. "You have moved the crayon over every sheet. The whole work is full of you—it is You yourself."
Preciosa accepted this full, round declaration with easy passivity; she was not clever, only happy. If he thought thus, and felt thus—why, that was enough. He was a strong young man—let him have his way. It all fell in with his "handling" of the whole situation. Little enough had he depended upon soft seduction, upon gallantry, upon flattery; still less had he tried to wheedle, to propitiate. He had grasped her with an intent, smileless severity, and he was not to be opposed. His words, like his works, were full of sweep and decision, and empty of all light humours, and they lifted her up and carried her away.
"Yes," she said, "it will be my triumph too." And she seemed to have said the words he wished to hear.
XX
A week or two went by. The paladins of finance found it as hard as ever to get together. Nothing moved ahead save the new building itself. Even the Car of Progress stood stock-still in the roadway, while Little O'Grady gnawed his nails. Only the contractors and their men had any advance to show. They had put on the roof and had begun to plaster the interior. The vagaries and uncertainties of a few struggling, befogged old gentlemen had no terrors for them—their contracts had been signed hard and fast months before, and their receipts of money had kept close and exact step with the progress of the work itself. "I wish I was a bricklayer—or even a hod-carrier!" said Little O'Grady, throwing a despairing eye upon the Car, stuck fast in the mire.