"As a milkmaid? No; paint the milkmaid herself. Deal with the verities. Like them before you paint them. Paint them because you like them."

"I don't know whether I should like milkmaids or not. I've never seen one."

"They don't exist," chimed in Adrian Bond, who was dawdling in the background. "The milkmaids are all men. And as for the dairy-farms themselves——!" He sank back among his cushions. "I visited one in the suburbs last month—the same time when I was going round among the markets. I have been of half a mind, lately," he said, more directly to Abner, "to do a large, serious thing based on local actualities; The City's Maw—something like that. My things so far, I know (none better) are slight, flimsy, exotic, factitious. The first-hand study of actuality, thought I——But no, no, no! It was a place fit only for a reporter in search of a—of a—I don't know what. I shall never drink coffee again; while as for milk punch——"

"And what is the artist," asked Abner, "but the reporter sublimated? Why must the artist go afield to dabble in far-fetched artificialities that have nothing to do with his own proper time and place? Our people go abroad for study, instead of staying at home and guarding their native quality. They return affected, lackadaisical, self-conscious—they bring the hothouse with them. Why, I have seen such a simple matter as the pouring of a cup of tea turned into——"

"You can't mean Medora Giles," said the miniaturist quickly, pausing amidst the laces of her bodice. "Don't make any mistake about Medora. When she goes in for all that sort of thing, she's merely 'creating atmosphere,' as we say,—she's simply after the 'envelopment,' in fact."

"She is just getting into tone," Bond re-enforced, "with the candle-shades and the peppermints."

"Medora," declared the painter, "is as sensible and capable a girl as I know. Why, the very dress she wore that afternoon——You noticed it?"

"I—I——" began Abner.

"No, you didn't—of course you didn't. Well, she made every stitch of it with her own hands."

"And those tea-cakes, that afternoon," supplemented Bond. "She made every stitch of them with her own hands. She told me so herself, when I stayed afterward, to help wash things up."