"But if you really want some notion of the front," she went on, "I can give it to you fast enough." She turned over one of her sheets and began to draw on the back of it. "Pooh! architecture's easy enough! It'll be about five stories high." She sketched the five stories with five or six lines. "In red brick—Romanesque style like this." She gave a broad sweep with the pencil, grouping several rapidly evolved windows under a wide, round arch. "And the cornice will be brick and terra-cotta; no galvanized iron—that I will not have. And a good-sized terracotta panel here over the doorway, to tell who we are—like that."
She outlined a large oblong, and filled it with an indefinite jumble of curly-cues.
Her father looked at the drawing, and laid it back on the table with a wan and patient smile. "Some other time, Jennie; we'll think about it when we haven't got so many other things on hand. Isn't the new house enough for now?"
Jane studied her father's face for a moment, and then thrust the drawings aside with a sudden and remorseful sweep. For he looked tired and worn, and in the slight pallor of his face she noted the deepening of old wrinkles and the appearance of new ones. "You poor old pa!" she cried, "I didn't mean to worry you. It can wait, of course; and the more we learn about building in the meanwhile the better we shall be prepared for this when the time comes round."
She looked into his eyes; they seemed to her both haggard and appealing. "I declare, you look just dragged out. Poor pal—just bother, bother, bother. Something at the store?"
"There's always something at the store," he said, looking away. "I haven't been feeling very well all day. I guess I didn't get my full share of sleep last night."
Yes, there was always something at the store, and this time it was an affair between Belden and the South town assessor. Belden—largely on his own account, certainly without anything like a consultation—had undertaken to secure a revaluation of the warehouse property; and he had been so successful (through the use of arguments by which an assessor may be moved) as to get a figure even lower than that of the previous year, despite the increased value of the building. Unfortunately, he had selected the very time when the scandalous inequality in assessments was engaging the attention of an ambitious evening paper; and this paper had just printed a cut of the enlarged building in juxtaposition to some small retail grocery in a remote ward and precinct, which was assessed in a ratio ten times as great—a vivid illustration of the manner in which the rich were favored at the expense of the poor. Marshall felt himself put forward as a criminal—a malefactor; he was assured, furthermore, that a man who offered a bribe was worse than the man who accepted it.
He might have added too, that Belden was showing some disposition to divert the house from its old conservative paths into the wild courses of speculation. His dash and daring found an outlet in an endeavor to manipulate the tea market, with less eye, perhaps, to profit than to prestige—to primacy in the trade. The old man had given but a half-hearted assent; he felt the credit, if any were involved, would outrun the profit, and that the promise of profit was too little to justify all the worry and care.
Nor was Jane's own enterprise, meanwhile, wholly free from difficulties. There were distinctly days when the postponement of the millennium seemed indefinite—when there appeared to be enough human nature remaining in the world to secure the present state of things for many years to come.
"It's a good deal more complicated than I thought," she confessed to her aunt Lydia, upon calling, one day, to invite her to visit the institution and to inspect its workings. "Now, Miss Casey and Miss Erlanger, for example, get along together all right, because Miss Casey is the cashier in an insurance office, and Miss Erlanger is the stenographer for a railroad president. Both of them kind of edge off from some of the salesladies; and the salesladies are pretty nearly as bad among themselves. Miss Maddox, who sells gloves on the first floor of Bernstein's Bazaar, never quite wants to sit at the same table with Miss Slopinka, who sells bolts and padlocks in the basement. So we have to trim and fuss and compromise all the time; in fact, we've been obliged to take in another room or two. However, that makes all the more to see."