"Now, Truesdale, this has gone far enough. You may muss up the house as much as you like, but I can't let you make a laughing-stock of Bertie. When it comes to streaks of green under her chin, and purple shadows under her hair, I—I don't think it is right. And she—she admires you so much." His aunt's voice broke, and she seemed at no great remove from tears.

"Dear Aunt Lyddy," returned Truesdale, with an unruffled imperturbability and an exhaustless and patronizing patience, "you have never learned to use your eyes; you don't know how to see. Did you ever try looking at things from under your elbow?" He raised his own, as he fastened the last button of his glove, and gave her a teasing glance from beneath his arm. "You are quite transfigured," he declared; "it makes all the difference in the world. Try it some time. Well, good-bye." He gave her his hand without lowering his elbow, and then sauntered complacently down the front steps.

Bertie watched him from behind the curtains of the front window. He wore a black cape-overcoat, which swung gracefully as he moved along, and a soft Fedora hat with a brave dent in the crown. "The most becoming thing he could possibly have picked out," she thought.

Mrs. Rhodes came back to take one more look at the canvas. "It's a perfect living picture of you, Bertie, except for the color. I can't get around that." She leaned forward and twisted her neck round and looked at Bertie from under her elbow, and then looked again at the canvas and shook her head. "And as for naïvete from Truesdale…." she murmured. She would as soon have looked for sunbeams from cucumbers.

Bertie, intent upon the painting, saw nothing of these manoeuvres. "I guess it will come out all right," she said, with a reviving trust.

XV

When Jane looked up at the stroke of one and saw her aunt Lydia and Bertie Patterson enter under the escort of Truesdale, she was not completely pleased. Her rooms were no place for men, anyway—especially young ones; and she had often wished that Truesdale, however worthy her admiration and the world's, were a little less ready as to bringing his fascinations into play. "If ever he comes down here," she thought, "he'll wear something too striking, and he'll want to talk to the girls about the continued stones in the magazines, or play the piano, or something; and they'll think he's trying to flirt with them. I hate anything of that kind—here," said Jane, virtuously.

Truesdale, however, conducted himself with an immense discretion, and wore nothing out of the ordinary. His hats and shoes were now quite like those of other people. His Florentine stivaletti had drawn so much attention in the street-cars that he had been obliged to give them up; and as for the flat-brimmed high silk hat which he had brought home from the Boulevard St. Michel, that he had had to leave off after a second trial: there were some things, he found, that people would not stand. And his manner to-day was utterly stripped of gallantry; it was gauged with the precise idea of meeting the approval of Bertie Patterson. "I expect I shall seem awfully insipid," he said to himself.

Jane came to meet them from a room beyond, where she left a doughnut and a half cup of coffee standing on a round-topped oak table. The regular noon hour enjoyed by most of the girls was done; two or three remained finishing their lunch or looking over the picture papers, and a couple of them, in the little parlor, were trying duets on the piano.

"I'm the only one of the board on hand to-day," Jane explained. "So I've been doing a little book-keeping and a little waiting and a little everything. This is Miss Casey," she said, introducing one of the piano-players; "and this is Miss O'Brien," introducing the other.