"'Sh, Jane! Rosy hasn't gone to England to live, and your father isn't dying. How can you talk that way?"

"And my old room!" Jane went on with a stringent cry, as her eyes roamed despairingly over its dismantled walls. "I never lived anywhere else, and I don't want to, and I can't! I don't want to live at all! And this old house isn't ours any longer, and those carriage people will begin to tear it down to-morrow. They'll take away the barn and chop down the trees, and there won't be a single thing left to remember it all by." She bent her head on the window-sill again, and sobbed more vehemently still.

"Oh, Jane, Jane!" cried her mother, protestingly, "how can you act that way when there is so much to be done, and when your father is feeling so much worse than usual? Where were those pillows left, anyway? Come, come!"

Jane rose to her knees and tried to wipe her face with the piece of wall-paper. Then her mother lifted her up and led her out through the hall.

It was a chilly day in early November—a high wind lashing the gray and foaming lake—when David Marshall, wrapped in shawls and bolstered up with pillows, was driven carefully over the three miles of flinty macadam which led from his old house to his new one, and was put to bed again in a large, half-warmed apartment, fitted up scantily and provisionally with an old chamber-set that had escaped the auctioneer. His own illness and his daughter's marriage had almost brought the furnishing of the new house to a stand-still, while the anxiety of the purchasers of the old place to get their foundations in before the real cold weather had made it impossible for the family to re-remain a single day beyond the stipulated term. No new furnishings had been attempted beyond carpets and curtains, and for the first few days that the old man lay in these new quarters he had little to assure him that he was not in some hotel or in some hospital, save the echoing tread of the hard-finishers in other rooms about him. The first slight flurry of snow dusted the dead weeds of the open spaces round the house, and the reflections from it passed through the clear, broad panes of the windows to strike a grimmer chill from the shimmering surfaces of ash and oak. Never before had the world seemed to him so empty and so cold and so unsympathetic. And when his own wife had said to him, in accents almost of reproach, "Oh, David, David, how could you take such a time as this to be sick, with all the worry of moving and furnishing and Rosy's wedding and everything else?" he felt as bare and chill and numb as a naked sailor cast ashore on some alien and inhospitable coast.

Susan Bates appeared at the new house almost immediately; she felt its need now, if ever, of being habitable. She stuffed her carriage with rugs and draperies; she sent an expressman out with her favorite easy-chair. She brought alcohol lamps and chafing-dishes. She seldom came without fruit or flowers. She set fire-screens and adjusted window-shades. She went deeply into the subject of opiates, and she talked by the hour with Jane and her mother about symptoms and remedies.

Marshall, while grateful for her attentions, was almost embarrassed by them—not that they should come from her rather than from his wife (or at least more copiously and spontaneously), but that they should come at all. Never before in his life had he received such minute and solicitous ministrations; he felt with a shy self-depreciation that he must be making himself a great burden. If Susan Bates threw back her bonnet-strings and suggested to Jane a lowering of the window-shades, he would almost protest against the girl's laying aside her book or her sewing; and the preparation of any special dish, such as is an invalid's due, would even now still cause him that sense of guilt which he had always felt on breaking in upon the household routine of his wife. "Poor man!" Susan Bates would say; "how must he have lived all these years! Why, I could hardly get him even to let me oil the door-hinges!"

She would sit by his bedside and try to soothe and divert this wan and weary and half-desperate old man. He enjoyed but the most fitful slumber, and even that only by the action of narcotics. Through the lagging hours of the day and through the maddening watches of the night his mind, ticking like an unstillable clock, beat for him an incessant rhythmical reminder of the impending ruin of his house and of his own powerlessness to avert it. He reviewed again and again the whole course of his life and his business—they were one: his lowly beginnings, his early struggles in the raw but ambitious prairie town, the laborious stages of endeavor by which he had developed and strengthened his business—his. Then, as the house had grown, others had insinuated themselves, or imposed themselves; and these were now banded together to dominate it, and to check and circumvent him, its founder and their benefactor, and finally to bring it to the very brink of ruin, and to make the labors of his whole lifetime come to naught. And he in bed here—with his feeble hands working desperately at the hem of the sheet, and his aching head throbbing unavailingly through the cruel, open-eyed watches of the night. He raged over the world's injustice and his own impotence; the thought was never absent from him—he was coming under the disastrous domination of the idèe fixe.

He spoke of these things to Susan Bates with such an increasing frequency and insistency as almost to transfer the rack of them from his own brain to hers. Once or twice, in an interval of semi-delirium, he bewept the ruin not only of his business, but of himself and of his family and of all his belongings. He infected her with his own dread and panic; she saw his property dispersed, his home in others' hands, his family in the depths of despairing poverty.

One morning she appeared at Roger's office; Minnie Peters accompanied her. The one carried a large leather bag in her hand; the other had a large brown-paper parcel under her arm.