Marshall regarded her with a dubious smile. Nobody had ever before attempted to fit his head to such a cap as this.
"As I have said so many times to Mr. Bates, 'Make it something that people can see.' Imagine a man disposed to devote two or three hundred thousand dollars to the public, and giving it to help pay off the municipal debt. How many people would consider themselves benefited by the gift, or would care a cent for the name of the giver? Or fancy his giving it to clean up the streets of the city. The whole affair would be forgotten with the coming of the next rain-storm. 'No,' said I to Granger, it must be something solid and something permanent; it must be a building.' And it's going to be a building. You drive out with me to the University campus this time next year, David, and you'll see Bates Hall—four stories high, with dormers and gables and things, and the name carved in gray-stone over the doorway, to stay there for the next century or two. I think I shall name it Susan Lathrop Bates Hall (Granger is willing), and make it a girls' dormitory. They'll call the girls 'Susans,' I dare say; but I sha'n't mind, and I don't suppose they will either. Besides, boys would be sure to be called 'Grangers,' so what's the difference?" She smiled whimsically, and made a feint to depart.
"But there are plenty of other things," she paused to impart. "People are always running to us about schools and hospitals. A few loose thousands, for example, would help the Orchestra guarantee—Granger has contributed there, too. And lately he has been approached about an endowed theater. There are plenty of ways."
"Your husband is fond of music?"
"Oh, well, he doesn't object to it. He can sit out an evening in our box very comfortably. But a man of his position is naturally expected to support a great artistic enterprise. Besides, Granger thinks a good deal of the reputation of the city."
"Yes, there are plenty of ways, as you say," the old man rejoined, with his preoccupied smile. "The 'charity' page of our ledger shows that. No man in business is allowed to forget his obligations to the 'public.' I am just beginning to become acquainted with the public—our public. A justice-court is a good place for us to learn what it is and who compose it, and what their attitude is toward us—the public that we are expected to do so much for."
Mrs. Bates, with her hand on the door-knob, felt herself obliged to decline this theme so tardily introduced—though the old man's tart tone promised great possibilities. She would have thanked David Marshall for a prompter contribution of conversational material; she felt that her own efforts during this interview had been out of all proportion to his. She made no response, and he stepped forward to conduct her through the outer office to her carriage. "You needn't go through all those porters again," he said.
Just inside the outer doorway stood two gentlemen; their faces were turned towards the street as they watched the preparations for the upward trip of a great length of metallic cornice. "Why," said Mrs. Bates, as one of them turned half round, "isn't that Tom Bingham, now?"
"Yes," said Marshall; "he looks in occasionally."
"How do you do, Mr. Bingham?" she said, hastening up to him with a jocular cast in her eye. She knew the Bingham Construction Company as the builders of a score of handsome residences, and of as many of the vast structures which towered all over the business district. It seemed droll to her to find him here, giving personal heed to mere alterations and repairs. "What will be the next thing—building-blocks? Let me send you a box of them, I beg of you."