"Jeanne d'Arc."
Georges Guynemer's parents renounced the woman teacher, and in order to keep him near them, entered him as a day scholar at the lyceum of Compiègne. Here the child worked very little. M. Paul Guynemer, having been educated at Stanislas College, in Paris, wished his son also to go there. Georges was then twelve years old.
"In a photograph of the pupils of the Fifth (green) Class," wrote a journalist in the Journal des Débats, who had had the curiosity to investigate Georges' college days, "may be seen a restless-looking little boy, thinner and paler than the others, whose round black eyes seem to shine with a somber brilliance. These eyes, which, eight or ten years later, were to hunt and pursue so many enemy airplanes, are passionately self-willed. The same temperament is evident in a snapshot of this same period, in which Georges is seen playing at war. The college registers of this year tell us that he had a clear, active, well-balanced mind, but that he was thoughtless, mischief-making, disorderly, careless; that he did not work, and was undisciplined, though without any malice; that he was very proud, and 'ambitious to attain first rank': a valuable guide in understanding the character of one who became 'the ace of aces.' In fact, at the end of the year young Guynemer received the first prize for Latin translation, the first prize for arithmetic, and four honorable mentions."
The author of the Débats article, who is a scholar, recalls Michelet's mot: "The Frenchman is that naughty child characterized by the good mother of Duguesclin as 'the one who is always fighting the others....'" But the best portrait of Guynemer as a child I find in the unpublished notes of Abbé Chesnais, who was division prefect at Stanislas College during the four years which Guynemer passed there. The Abbé Chesnais had divined this impassioned nature, and watched it with troubled sympathy.
"His eyes vividly expressed the headstrong, fighting nature of the boy," he says of his pupil. "He did not care for quiet games, but was devoted to those requiring skill, agility, and force. He had a decided preference for a game highly popular among the younger classes—la petite guerre. The class was divided into two armies, each commanded by a general chosen by the pupils themselves, and having officers of all ranks under his orders. Each soldier wore on his left arm a movable brassard. The object of the battle was the capture of the flag, which was set up on a wall, a tree, a column, or any place dominating the courtyard. The soldier from whom his brassard was taken was considered dead.
"Guynemer, who was somewhat weak and sickly, always remained a private soldier. His comrades, appreciating the value of having a general with sufficient muscular strength to maintain his authority, never dreamed of placing him at their head. The muscle, which he lacked, was a necessity. But when a choice of soldiers had to be made, he was always counted among the best, and his name called among the first. Although he had not much strength, he had agility, cleverness, a quick eye, caution, and a talent for strategy. He played his game himself, not liking to receive any suggestions from his chiefs, intending to follow his own ideas. The battle once begun, he invariably attacked the strongest enemy and pursued those comrades who occupied the highest rank. With the marvelous suppleness of a cat, he climbed trees, flung himself to the ground, crept along barriers, slipped between the legs of his adversaries, and bounded triumphantly off with a number of brassards. It was a great joy to him to bring the trophies of his struggles to his general. With radiant face, and with his two hands resting on his legs, he looked mockingly at his adversaries who had been surprised by his cleverness. His superiority over his comrades was especially apparent in the battles they fought in the woods of Bellevue.[7] There the field was larger, and there was a greater variety of chances for surprising the enemy. He hid himself under the dead leaves, lay close to the branches of trees, and crept along brooks and ravines. It was often he who was selected to find a place of vantage for the flag. But he was never willing to act as its guardian, for he feared nothing so much as inactivity, preferring to chase his comrades through the woods. The short journey to the Bellevue woods was passed in the elaboration of various plans, and arguing about those of his friends; he always wanted to have the last word. The return journey was enlivened by biting criticism, which often ended in a quarrel."[8]
[7] The country house of Stanislas College is at Bellevue. [Translator's note.]
[8] Unpublished notes by Abbé Chesnais.
This is an astonishing portrait, in which nearly all the characteristics of the future Guynemer, Guynemer the fighter, are apparent. He does not care to command, he likes too well to give battle, and is already the knight of single combats. His method is personal, and he means to follow his own ideas. He attacks the strongest; neither size nor number stops him. His suppleness and skill are unequaled. He lacks the muscle for a good gymnast, and at the parallel bars, or the fixed bar, he is the despair of his instructors. How will he supply this deficiency? Simply by the power of his will. All physical games do not require physical strength, and he became an excellent shot and fencer. Furious at his own weakness, he outdid the strong, and, like Diomede and Ajax, brought back his trophies laughing. A college courtyard was not sufficient for him: he needed the Bellevue woods, while he waited to have all space, all the sky, at his disposal. So the warlike infancy of a Guynemer is like that of a Roland, a Duguesclin, a Bayard,—all are ardent hearts with indomitable energy, upright souls developing early, whose passion it was only necessary to control.
The youth of Guynemer was like his childhood. As a student of higher mathematics his combative tendencies were not at all changed. "At recreation he was very fond of roller-skating, which in his case gave rise to many disputes and much pugilism. Having no respect for boys who would not play, he would skate into the midst of their group, pushing them about, seizing their arms and forcing them to waltz round and round with him like weather-cocks. Then he would be off at his highest speed, pursued by his victims. Blows were exchanged, which did not prevent him from repeating the same thing a few seconds later. At the end of recreation, with his hair disordered, his clothes covered with dust, his face and hands muddy, Guynemer was exhausted. But the strongest of his comrades could not frighten him; on the contrary, he attacked these by preference. The masters were often obliged to intervene and separate the combatants. Guynemer would then straighten up like a cock, his eyes sparkling and obtruding, and, unable to do more, would crush his adversary with piquant and sometimes cutting words uttered in a dry, railing voice."[9]