“Here they come, here they come!” shouted Jean Berlier, pointing to the end of the race-course.
The course at Marlioz is less than two miles from Aix-les-Bains, on the road to Chambéry. The view from the stands, which occupy one of the slopes facing Mont Revard is fine and picturesque. Beyond a foreground of green fields, separated by screens of poplar-trees, the eyes light suddenly on the craggy escarpments of the mountain-chain, resembling some old fortress. By day there is little grace or beauty in the scene, but at eventide the setting sun lends to it a wonderful attractiveness.
“Here they come,” repeated Isabelle Orlandi, clapping her hands.
The flower-decked carriages had indeed reached the edge of the green sward, ready to file past the stands filled with a brilliant crowd. The spectators stamped enthusiastically and, swarming about like a lot of mad people or a hive of bees, tore flowers from the baskets of the passing vendors, spread their ammunition in front of them, and preluded the coming battle with the excited and useless shouts of soldiers on the point of assault. Under the light of a cloudless sky the fairy-like procession advanced, radiant in the sunshine. From afar all that was to be seen of it was a succession of bright patches and at intervals the rapid flashes reflected from the polished harness of the horses and the dazzling carriage-wheels as they caught the sun’s rays. It grew bigger and bigger, and outlined against the golden horizon, it brought to mind in its splendor and richness the procession of the Magi painted by some Venetian artist who adored color.
The Dulaurens family and their party filled the first row of the grand stand, Jean Berlier next to Isabelle, Marcel Guibert between Madame Dulaurens and Alice. Paule had refused to come with her brother, who sat quite silent, thinking of the sad faces of the women at home and regretting the peace and sweetness of Le Maupas, while beginning to experience the first humiliating inner symptoms of love.
The band began to play dance music, and to the strains of its light rhythm, almost drowned by laughter and shouting, the battle opened. Late arrivals, hurrying across the race course eager to take part in the fun, were mingled in a distracted mass of gay parasols and dresses on the lawn.
It was at the little ones that the first bouquets were thrown, gently tossed by delicate hands. The children opened the flowery procession like harbingers of spring, delicious buds of humanity. Rosy babies with bare arms, riding donkeys which carried them triumphantly in big red baskets; small sailor boys proudly wielding their pasteboard oars in long canoes decked with reeds, drawn by Arab horses whose tails and flowing manes served as angry waves; tiny girls dressed in pink, peeping out from green nests like wonderful birds; all this little company, guarded by an escort of careful nurses, was mad with applause and sunshine, with music and gaiety. It was like the youthful Bacchus in his triumph.
Slowly the carriages following them came up one after another and took their part in the gentle strife. They bore the very grace of the earth, the beauty of women and the scent of flowers. The soul of the plundered gardens still pervaded these moving flower-beds. English dog-carts, tilburies, victorias, phaetons, landaus, all were smothered in flowers of a thousand hues—heavy moon-daisies, purple as an autumn sunset; while marguerites, the lover’s fortune-teller; gladioles with their red bells merrily a-ring; cyclamens the color of the lees of wine, the rare and precious jewels of Mont Revard’s crown; hydrangeas with their pink and pale blue globes; orchids of varying hue, splendid in their triumphant leaflessness, or still more glorious in a setting of exotic palm-branches or of red forest-heather, whose tiny branches are so slender and sensitive that the heat of the day is sufficient to stir them.
Half outstretched among these sumptuous spoils of the ransacked gardens, the young women of the procession smiled in quiet confidence. They relied on the pleasure stirred by their irreproachable forms to complete their own success in the contest against the beautiful blossoms of mother earth. For they knew full well that they themselves were the sovereign flowers, more seductive and intoxicating than all others, since they could supplement the still unconscious grace of nature with the harmony of motion and the wonder of the intelligent mind. On the splendid, supple stem of a woman’s perfect form, is not the face set as though it were the divine calyx of beauty?
The enthusiasm of the crowd made no distinction between the charm of earth and the charm of woman. The incessant stream of flying bouquets was a link between the occupants of the stands and the beauties of the procession, who bent before the tributes paid to them and, amid the perfume that invaded earth and air alike, made their wondrous progress over a carpet of flowers, under a rain of flowers. The popular excitement grew still greater as the spectators saw the Allegory of Summer approaching. On a chariot with golden wheels drawn by white horses, ears of wheat were bound in sheaves whose gold was enhanced by the red and blue of the poppies and cornflowers, the rubies and sapphires of the fields. Young girls, whose flowing robes were the color of straw, whose unbound hair streamed in fair waves, veritable types of the supple maidens of Botticelli’s Primavera, symbolised, like the ripe grain itself, prosperity and happiness.