“It’s night, Maurice.”
“Don’t you see a little daylight?”
“That isn’t day. There’s a moon.”
“Rest a little while yet, Edith. You’ve time enough.”
“Yes. I’m so tired, so deliciously tired.”
She let herself fall back on the pillow, and closed her eyelids. Even in sleep there was still an air of passion about her. He came up to the bed and bent over her in the fitful light that came in through the window, looking long at her face.
“This little flame of love that lighted up my life,” he thought, “is put out for me now. I shall no longer see it burning, I can’t see the blood flowing through her cheeks, nor the gleam of her teeth through her parted lips, hardly the curve of her mouth, the line of her nose, the dark mass of her hair with all its perfume. And her body is lost to me——”
He was growing tender over her, dangerously so. The temptation came to him to stay. He bent over and brushed her forehead, of which he could feel the sweet warmth with his lips. She smiled vaguely, keeping her eyes closed. He left her there and went out.
In the corridor of the hotel he met only a waiter, who yawned as he polished the floors, and paid no attention to Maurice’s appearance. A hand-bag was all the baggage he carried, an overcoat and a cane.
The shortest road to the railway station at Orta leads across the Sacred Mountain. The moonlight, which was growing pale before the threats of day, penetrated in fear and mystery through the half-leafless woods. Between the tall trunks of the pines and larches its beams fell upon the dead leaves that strewed the ground, and rested on the façades of the little chapels. When Maurice reached a point opposite the fifteenth chapel he raised his head and stopped. The slender columns stood out quite white, one or another of them throwing its reflection in a black shadow against the wall.