And he gave all. Twenty years at least of his own health he sacrificed, and gave freely, out of the overflow of his love, to the wounded in their cots. As I have before suggested,[545] he gave more than, physically speaking, he could afford. But he gave with joy, knowing that he was born to give, and that in giving himself irretrievably, he was fulfilling the highest law of his being, and fully and finally realising himself. It was the crowning proof not only of “Calamus,” but of his gospel of self-realisation.
Deliberate though his service was, not even Whitman himself could fully estimate the cost of his charity. But he accepted the consequences of all his acts as proper and due, being, indeed, implicit in the acts themselves. And now, when his very joy in life was called in to meet the mortgage he had given; when he was, as it were, stripped naked and left in the dark; he accepted his condition without declaiming against the Divine justice, or calling insanely upon God.
Year after year, he was patient, expecting the light to break again, the daylight beyond death. He had never professed to understand the ways of God, but he had always trusted Him. And when faith itself seemed for awhile to forsake him, his blind soul did but sit silently awaiting its return.
It was out of such a mood, lighted at times by moments of vision, that during 1874 and 1875 he wrote some of the noblest of his verses, notably the “Prayer of Columbus,” the “Song of the Universal,” and the “Song of the Redwood Tree”.
There are those who have suggested that Whitman’s illness was brought on by a life of dissipation; one supposes that such persons find in these poems the death-bed repentance of a maudlin old roué. But to the unprejudiced reader such a view must appear worse than absurd. Whitman never claimed to have lived a blameless life, but he did claim to have lived a sane and loving one; the evidence of all his writings, and of these poems especially, supports that claim.
Simple and direct, the “Prayer of Columbus” breathes the religious spirit in which it was conceived. Lonely, poor and paralysed, battered and old, upon the margin of the great ocean of Death, he pours out his heart and tells the secret of his life; for, as Whitman himself confessed, it is he who speaks under a thin historical disguise.[546]
I am too full of woe!
Haply I may not live another day;
I cannot rest, O God, I cannot eat or drink or sleep,