The Lenape Stone; or, The Indian and the Mammoth

by Henry C. Mercer

The story of their long death-struggle and final overthrow by a horde of savage invaders, as here given in the formal style of Heckewelder, seems somewhat colored by his well-known partiality for the Delawares. It is confirmed, as we shall see, by the evidence of other Indian traditions and the study of their language, which seems to show that this people,—the Alligewi or mound-builders—fleeing down the Mississippi, were received and adopted by the Choctaws and Cherokees, themselves in comparatively recent times a mound-building people, and who thus have become in part their descendants.

A suggestion of these long and bloody wars, in which the Lenape did most of the fighting, may be seen in the figure of the tomahawk [(g)] just below the turtle,[J] and of the mound-builders themselves perhaps, in the singular group of figures above the water on the left, i. e., the outline of a mountain or mound on which a series of numerical marks are faintly seen, a tablet inscribed with ten dots, two diagonally intersecting lines, and five parallel marks or points.

"In the end," continues the account, "the conquerors divided the country between themselves," as the wigwams [(h and i)] above each totem might denote. "The Mengwe made choice of the lands in the vicinity of the great lakes" and on their tributary streams, again suggested, perhaps, by the snow-shoe (j) "and the Lenape took possession of the country to the south. For a long period of time—some say many hundred years—the two nations resided peacefully in this country and increased very fast. Some of their most enterprising huntsmen and warriors crossed the great swamps, and falling on streams running to the eastward, followed them down to the great Bay River (Susquehannah), and thence into the bay itself, which we call Chesapeak." As they pursued their travels, partly by land and partly by water, in this primitive reconnaissance of the great wilderness now our homes, journeying sometimes near and at other times on the "great salt-water lake" (the sea), they finally discovered the river which we call the Delaware.

"Thence exploring still eastward," continues the account, "they discovered the Scheyichbi country, now named New Jersey, and at length arrived at another great stream—that which we call the Hudson or North River. Satisfied with what they had seen, they (or some of them), after a long absence, returned to their nation and reported the discoveries they had made. They described the country they had discovered as abounding in game and various kinds of fruits, and the rivers and bays with fish, tortoises, etc., together with abundance of water-fowl, and no enemy to be dreaded. They considered the event as a fortunate one for them, and concluding this to be the country destined for them by the Great Spirit, they began to emigrate thither, as yet but in small bodies, so as not to be straitened for want of provisions by the way, some even laying by for a whole year. At last they settled on the four great rivers (which we call Delaware, Hudson, Susquehanna, and Potomac), making the Delaware, to which they gave the name of 'Lenapewihittuck,' (the river or stream of the Lenape), the centre of their possessions."

Here the ancient portion of the chronicle and its parallelism with the figures on the stone seems to end, the remainder being devoted to long wars with the Mengwe, relations with the whites, and the more modern events of the history of the tribe in the east.

The other figures upon the stone—the star [(k)], the calumet (l), the deer (m), the curve crossed by three oblique lines (n), probably a war canoe, and the fish-like figure (o) at the end of the stone—are hardly suggested by the narrative, yet may refer to further details of the passage of the Alleghenies, and the exploration and settlement of the country to the east, along the great rivers and by the sea-coast.

Far more interesting than Heckewelder's account, is a full version of the great national song of the Lenape as they sung it in their own language, with an English translation, and with all the pictographic devices used to jog the memory of the singer. He may well have needed them, as the whole song consists of two hundred and two verses. It was first published in 1836 by the eccentric French-American philosopher, Rafinesque, in an extravagant work by him entitled "The American Nations," and is known as the Wallum Olum (literally, painted sticks), or pictographic traditions of the Lenni Lenape. It contains the Delaware account of the creation, a deluge, the early migrations and entire history of the tribe, and one hundred and eighty-four mnemonic symbols painted upon tablets of wood. "It was obtained" says Rafinesque, "about 1822,—the symbols from a Dr. Ward of Indiana, who had received them as a reward for a medical cure from the Delawares, at Wahapani or White River, in 1820, and the verses from another individual."

Mr. E. G. Squier, who considered the internal evidence furnished by the songs sufficiently strong to settle their authenticity, submitted the manuscript copy of the songs and pictographs in the hand of Rafinesque, who it appears had never owned the original "painted sticks," to George Copway, the Chippewa chief, who unhesitatingly, he says, pronounced it authentic. This manuscript, together with the pictographs, of which Rafinesque had published none, and Squier but forty, was considered hopelessly lost until its fortunate discovery a few weeks ago by Dr. Brinton, by whom it will shortly be published with a new translation.

Passing over its account of the creation and deluge, the narrative goes on to describe the passage by the Lenape of a large body of water on the ice (Behring's Straits, says Rafinesque), and their settlement at a place called Shinaki, or the "Land of Firs."

After many generations of chiefs, continues the fourth song, during which time they were continually engaged in wars with "Snakes" (enemies), they wander from the fir land to the south and east, pass over a hollow mountain Oligonunk (Oregon, according to Rafinesque), and at last "find food" at "Shililaking, the plains of the Buffalo Land." Here they tarry and build towns and raise corn on the great meadows of the Wisawana (Yellow River). But after many wars with "Snakes," "northern enemies," and "father snakes," of which we can see a suggestion in the eel-like form (p) on the stone, they again resume their migration towards the "sun-rising," and finally reach the shores of the Messussipu,[K] or Great River, "which divides the land." The accompanying pictograph for verse 49, descriptive of the Great River, quite unlike the figure upon the stone, is here given from the original drawing by Rafinesque, kindly furnished the writer by Dr. Brinton (fig. 17). The narrative, of which we give the English translation by Rafinesque, omitting the Delaware version, continues in the original as follows: