Affirmed before
Elias Eastburn, J. P., Nov. 8, 1884.


STATEMENT OF CAPT. J. S. BAILEY.

I saw the stone first, I think, in November, in the fall of 1881, and a few days after Mr. Paxon had obtained the second piece. He had said to me that he had a curious stone which he wished to show me. I remember his mentioning the figure of a turtle, a snake, and an elephant carved on the stone, although he did not first mention the elephant figure or show that he appreciated the mammoth. It was not till he had read my article in the county newspaper that he came to know the value of the carving. He was only eighteen or nineteen then, and I believe would have sold the stone for a comparatively trifling sum. As soon as I took the stone home, after Mr. Paxon had lent it to me, all my family saw it. Judge Paxon, his uncle, did not realize its archæological importance, neither did Mr. Paxon, the owner's father. I showed it to Judge Paxon before I wrote the article. The first time Mr. Harry Paxon showed me the stone I remember his saying that "he could sell it for five dollars." He wanted me to glue or cement the pieces together, but I discountenanced the plan. I think he must have scraped out the original soil clinging to it with a nail or some sharp instrument, and I told him that he had cleaned the lines too much and that the stone had lost the look of age. The next time I saw it he had filled the lines with clay, and this I advised him to remove, as it did not resemble the soil of the original field. So the next time I saw it he had cleaned it again. I took the stone to the January or April meeting of the Bucks County Historical Society, 1882, and showed it to all the members present. I showed it to Gen. Davis, who advised me in connection with it to prepare an article on the Indian relics found in Bucks County, to be read before the July meeting at Penn's Manor. A few days after that I returned the stone to Mr. Paxon. Somewhere in June or July (1882) I borrowed it again, and kept it until two or three weeks after the meeting at Pennsbury. This meeting was on the third Tuesday in July, 1882. Mr. Paxon did not go to the meeting, but after reading my article in the paper he set a higher value on his relic and wished me to return it. I do not recollect seeing either part separately. The two pieces were together when I first saw it. I think Hansell told me that the large part had been found first. Very many people saw the stone at my lecture at Penn's Manor. I had a large diagram of the inscription, several feet long. Two hundred people must have seen it. There was an article in the Bucks County Intelligencer about it, and it was at the Bi-Centennial and there seen by everybody.

[Signed]JOHN S. BAILEY.

Affirmed before
Elias Eastburn, J. P., Nov. 8, 1884.


Letter from Dr. D. G. Brinton, Professor of Archæology and Ethnology in the Academy of Natural Sciences, Philadelphia.

To the Editor of the Bucks County "Intelligencer":

The discussion in your paper about the so-called "Lenape Stone," in which my name has incidentally been introduced, leads me to address you a few lines on some archæological points, especially on the methods of distinguishing genuine from fabricated specimens. I shall only refer to the Lenape Stone by way of illustration. It was first shown to me by Professor Lewis, and after a careful inspection I pronounced it a modern piece of work, which opinion has been substantiated by later observers. My opinion was based, first, on the design, and secondly, on the execution. It may be laid down as a rule, holding good in all aboriginal designs of the Eastern United States, that no lines indicating either shading or rounding are found on figures of pure native origin. Every line was significant, and nothing was done for affect. Grouping was also unknown, and any such triple arrangement as the brute, the human, and the divine groups, standing in immediate relation to each other and forming parts of a picture, as appears on the Lenape Stone, was as far above aboriginal æsthetic conceptions as the Sistine Madonna would be above the execution of a sign-painter. Certain artistic details, as the lightnings shooting in various directions from a central point (as from the hand of Jove), were also unknown to the art notions of the red race. The treatment of the sun as a face, with rays shooting from it, I also consider foreign to the pictography of the Delaware Indians, nor have I yet seen any specimens proved to be of their manufacture that present it. It is found, indeed, in Chippeway pictography, but there only in late examples.