"The pint, you brought me, was the best
That ever came from pipe."

Undoubtedly. As witness the flights of fancy which it created. Its potent vintage transformed both the waiter and the sign of the house in which he served and shaped this pretty legend.

"And hence this halo lives about
The waiter's hands, that reach
To each his perfect pint of stout,
His proper chop to each.
He looks not like the common breed.
That with the napkin dally;
I think he came like Ganymede,
From some delightful valley.

"The Cock was of a larger egg
Than modern poultry drop,
Stept forward on a firmer leg,
And cramm'd a plumper crop;
Upon an ampler dunghill trod,
Crow'd lustier late and early,
Sipt wine from silver, praising God,
And raked in golden barley.

"A private life was all his joy,
Till in a court he saw
A something-pottle-bodied boy
That knuckled at the law:
He stoop'd and clutch'd him, fair and good,
Flew over roof and casement:
His brothers of the weather stood
Stock-still for sheer amazement.

"But he, by farmstead, thorpe and spire,
And follow'd with acclaims,
A sign to many a staring shire
Came crowing over Thames.
Right down by smoky Paul's they bore,
Till, where the street grows straiter,
One fix'd for ever at the door,
And one became head-waiter."

Just here the poet bethought himself. It was time to rein in his fancy. Truly it was out of place to make

"The violet of a legend blow
Among the chops and steaks."

So he descends to more mundane things, to moralize at last upon the waiter's fate and the folly of quarrelling with our lot in life. It is interesting to learn from Fitzgerald that the Cock's plump head-waiter read the poem, but disappointing to know that his only remark on the performance was, "Had Mr. Tennyson dined oftener here, he would not have minded it so much." From which poets may learn the moral that to trifle with Jove's cupbearer in the interests of a tavern waiter is liable to lead to misunderstanding. But it is, perhaps, of more importance to note that, notwithstanding the destruction of the exterior of the Cock in 1888, one room of that ancient building was preserved intact and may be found on the first floor of the new house. There, for use as well as admiration, are the veritable mahogany boxes which Tennyson knew,—

"Old boxes, larded with the steam
Of thirty thousand dinners—"