Title Page“J. W.”: Dr. Wood suggests this is the fictitious John Walton of the “Proposals” at the end of Dumpling. My own preference is for Dr. John Woodward, the famous antiquarian and physician. As late as Fielding’s “Dedication” to Shamela, Woodward was being mocked for suggesting that the “Gluttony [which] is owing to the great Multiplication of Pastry-Cooks in the City” has “Led to the Subversion of Government....” (See Woodward’s The State of Physick and of Diseases [London, 1718], pp. 194-196 and 200-201. Compare this with Dumpling, pp. 22-23, on the Dumpling-Eaters Downfall, also pp. 9 and 16, and Key, p. 17.) Swift deals with “repletion” in Gulliver’s Travels (ed. Herbert Davis [Oxford, 1941], pp. 253-254 and 262).
P.iii.1-22.L[intot] was Pope’s publisher. B[ooth], W[ilks], and C[ibber] were the managers of Drury Lane. The London Stage, Part 2: 1700-1729, ed. Emmett L. Avery (Carbondale, Ill., 1960), shows that J. M. Smythe’s Rival Modes was first played 27 January 1727 at Drury Lane; John Thurmond’s pantomime The Miser: Or Wagner and Abericock was first played 30 December 1726 at Drury Lane; and Lun’s pantomimes Harlequin a Sorcerer: With The Loves of Pluto and Proserpine and The Rape of Proserpine were first played at the Lincoln’s Inn Fields Theatre 21 January 1725 and 13 February 1727 respectively.
P.iv.16-25.The preface ends on a similar note to Carey’s Of Stage Tyrants (p. 108).
P.[v].3-4.To “it never wants a Father,” compare Of Stage Tyrants (p. 107).
P.vi.1-9.Swift’s “old Bookseller” had been T[ooke] (though there may be overtones here regarding Tonson). His new publisher was [Benjamin] M[otte].
Pp.viii.24-ix.14.The “Hackney Writer out of Temple Lane” could very well be Carey. (See Carey’s Records of Love [London, 1710], pp. 175, 93, and 104.)
P.13.6-9.Carey’s poem “The Plague of Dependence” cautions: “You may dance out your shoes in attendance;/ [while you] .... wait for a court dependence” (p. 90).
Pp.14.7-15.2.Here Carey cleverly ties in Swift’s surgeon Gulliver, through the “Pancake of Rabbets” (Dumpling, p. 17), with the topical and notorious case of Mary Tofts, who in November 1726 was “delivered” of fifteen rabbits. All the people mentioned were connected with this case. Nathaniel St. André was the surgeon and anatomist to the King, and Cyriacus Ahlers the King’s private surgeon; John Howard was the apothecary. The imposture was finally brought to light before Sir Richard Manningham (the famous man-midwife who probably influenced Sterne) and Dr. James Douglas. Among the many contemporary pamphlets on this subject is one by Thomas Braithwaite.
Pp.16.14-17.13.The following is a very revealing quotation from records in the Willesdon Public Library under F. A. Wood [not Dr. F. T. Wood], Willesdon I, 99: “These nurse children must have been sent from workhouses round Willesdon ... the parish must have become a baby farm.... The large number of deaths between 1702 and 1727 ought to have caused some official enquiry, which probably did take place, as after 1727 they soon ceased altogether.”
P.17.14-22.See Jonathan Richardson, Works, Strawberry Hill Press (London, 1792), pp. 198-199: “...had the honour of a letter ... the term Connoisance was used.... I must not conceal the name it was Mr. Prior.” Richardson, a frequent visitor to Hampstead, painted both Prior and Pope. His essay on “The Connoisseur” was frequently published.
P.18.6-22.See also p. 24 and passim. Robert Walpole was born and died at Houghton in Norfolk; he was helped up by Marlborough but lost power with him under the Tories. Walpole went to the Tower for five months in 1712 before going to his home county, where Defoe calls him “King Walpole in Norfolk.”
P.24.19-20.The “Fable of the Court Pudding” (see also Dumpling, pp. 13-14) ties together both meanings of the scatological Latin-English pun on the title page of Dumpling.

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