The four great rooms in this pile—two down and two up—had huge fireplaces on their long sides. The downstairs fireplaces could burn nine-foot logs. All the ceilings had girders and joists exposed.
After the conflagration of 1676 set by Nathaniel Bacon, the building was rebuilt (1685) on the same site, probably using what brick walls were still standing, to become the "Fourth State House." It is believed that in the rebuilding there was not much change in the design. But it was only natural that some of the rooms should have new uses, so that we find that the lower waiting room was fitted into a Secretary's Office by placing a strong partition under the "second girder" and, because of dampness, by raising the floor two feet up from the ground. To keep persons from breaking in to steal the record books of the Colony in the small storage room next to the Secretary's Office, the windows were barred with iron and had board shutters half an inch thick, with cross-bars.
Virginia may well be proud of the design of this "Third State House" at Jamestown, which has recently been the subject of a special restoration study for the Commonwealth by this writer. That legislative seat, built nearly three hundred years ago, was dignified, handsome, impressive, and in fine scale. Through its portals passed in those days the chief figures of the Dominion. Its mullioned and diamond-pane windows, its pantile roof, and its porch and porch chamber gave the fabric a strong medieval flavor.
It is unfortunate that the "Fourth State House" burned on October 31, 1698, through an accident. What kind of an accident the records do not state. Was it a faulty flue, an overturned sconce, or carelessness in lighting a tobacco pipe? We shall probably never know. But the very next year the early capital, Jamestown, which had flourished for ninety-two years, was abandoned in favor of Middle Plantation, "nigh his Majesties Royall Colledg of William and Mary."
Three years before the destruction by fire of the "Fourth State House," the foundation of the "Sir Christopher Wren Building" of William and Mary College was laid down (1695). The shape of the great structure was to have been a quadrangle in the best English tradition of the Middle Ages. Colleges in Britain, as early as the 1200s, were in their general equipment much like monastic establishments, grouped about an arcaded cloister, and were halls of residence for communities of teachers and students.
But in Williamsburg the Wren Building was slow to get started, and has in truth never been completed in the form of a rectangle. By 1705, the year of the first fire, only the front façade and half of the north side had been completed. Consequently, for all intents and purposes, the edifice is an eighteenth-century structure, in spite of its earlier foundation, and belongs more to Classic Williamsburg than to the former era. In more than one respect it paved the way for the Virginia Georgian.
For all that, the style of the original building may be said to be Transitional, with Georgian details, like modillions in the cornice. The main façade, one hundred and thirty-six feet long, is distinguished by a "break-front" or projecting bay on the center, crowned by a steeply pitched gable—the motif being repeated on the courtyard side. According to an old drawing of 1702 the entrance façade had in the center two balconies, one above the other, over the great, arched, front doorway. The hipped main roof is crowned by a "tower" or cupola.
The arrangement of the main roof on the quadrangle side is unique: there is on each side of the central gable a row of hipped roofs. In the early days in Virginia there must have been many a building with a similar row. It is possible that the "First State House" itself had three hips contiguous to one another instead of the three gables which we have drawn herein. At any rate, in order to see existing parallels one has to visit the Bermudas, the Bahamas, or even Great Britain herself.