For much information concerning the[{8}] earlier celebrities the author is indebted to Clayton's "Queens of Song," "Great Singers" by Ferris, and "The Prima Donna" by Sutherland Edwards, in which interesting volumes much will be found at length which is greatly condensed in this little volume. To Maurice Strakosch's "Souvenirs d'un Impresario," and to "Mapleson's Memoirs," the writer owes something also in the way of anecdote and fact concerning many singers of the latter half of this century.
As it is impossible to give biographical sketches of more than a comparatively small number of singers who have achieved renown, the work is supplemented by a chronological table which is more comprehensive. No such table can, however, be perfect. For singers of the past the following authorities have been used: "Grove's Dictionary of Music and Musicians," C. Egerton Lowe's "Chronological Cyclopædia[{9}] of Musicians and Musical Events," James D. Brown's "Biographical Dictionary of Musicians," and "A Hundred Years of Music in America."
Concerning singers of later times, who have risen to fame since those works were compiled, such items have been used as could be found in the newspapers and magazines of their day, and the information is of necessity imperfect. It is nevertheless hoped that the table may be of some use as carrying the history of famous singers some years beyond anything hitherto published in book form, and it has been the desire of the author to make the book interesting alike to student and amateur.
FAMOUS SINGERS OF TO-DAY
AND YESTERDAY.
CHAPTER I.
FROM 1600 TO 1800 A. D.
The year 1600 marked the beginning of a new era in musical history, for in that year the first public performance of regular opera took place in Florence, when the "Eurydice" of Rinuccini and Peri was given in honor of the wedding of Marie de' Medici and Henry IV. of France. The growth and ever-increasing popularity of the opera, the development of civilization, the increase of wealth and the population of new countries, have led not only to the highest[{12}] cultivation of the human voice, wherein music exerts its greatest power of fascination, but have brought forward hundreds of competitors for the artistic laurels which are the reward of those who reach the highest state of musical perfection.