It was lucky, however, in young Shakespeare's case, that the great mind of the youth came to his aid in this situation, and whilst in company with her of whom even a previous glance had called forth his admiration. During his visit he had also comprehended the politics of the family he was introduced amongst. He beheld the thorough gentleman, the confiding honourable old cavalier, the knight sans peur et sans reproche, in Sir Hugh Clopton. He saw the youthful esquire, the lusty bachelor, the free open-hearted, brave, and devoted servant, the lover, whose whole soul and every thought were upon his fair mistress, in Walter Arderne; whilst in that cunningest pattern of excelling nature, the lovely Charlotte, he saw one far removed from his own sphere of life. So much so, indeed, that "it were all one, that he should love some bright particular star," "and think to wed it," she was so much above him. So thought the modest youth. And yet again it was easy for him also to observe that the strong affection of the lady's suitor was unrequited, and his feelings unreturned, save by those of esteem and friendship. Under these circumstances, we say, the strong sense of the youth came to his aid, and, if it did not hinder him from falling desperately in love, it somewhat curbed his feelings, and hindered him from discovering them to the object of his admiration. He felt the barb of the arrow rankle in his heart; but his pride and proper feeling helped him to subdue, and conceal the smart. So true it is that—
"As in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all."
We fear it must be acknowledged that the youthful poet, at this period of his life, was of a most untamed and wandering disposition; that his life and his employments were rather desultory; and that when once his steps turned towards the wild scenery which so abounded around his native town, all was forgotten of home duties, and engagements pertaining thereto.
This must, however, be excused in one whose mind was of so extraordinary a character.
Amongst other haunts which young Shakespeare loved to frequent at times, and even when the shadows of night gave a more solemn feeling to its precincts, was the churchyard of his native town. And perhaps those who have lingered, and looked upon that sweet scene during night's silent reign, whilst the moon has silvered the tops of the surrounding trees, and the waters of the Avon mirrored the beautiful structure on its banks, will better understand the feelings of young Shakespeare in such a place. Things more than mortal seem to steal upon the heart, and thoughts of early and shadowy recollection to haunt the mind.
Let those who have not visited this locality at "the witching hour," take a stroll into the ancient churchyard of Stratford. Let them feel the influence of the man everywhere around them, and imagine him at such a time. Let them look up at those demoniac heads which the cunning architects of the Norman period have carved on every coigne of vantage, together with the shadowy grandeur of the walls and buttresses.
Let them glance over the verdant mounds and the mossy tombstones of the silent tenants around, and then ask themselves what were the thoughts engendered in such locality? Have they not some dark and shadowy conceptions of Elsineur? Doth not the postern of the old churchyard wall open to admit the Monkish procession for the obsequies of the fair Ophelia, with all the pomp and circumstance of the times? Do they not see before them the whole scene, and hear the words of the distracted Laertes as he stands beside the open grave of his sister:—
"Lay her i' the earth,
And from her fair and unpolluted flesh
May violets spring! I tell thee, churlish priest,
A minist'ring angel shall my sister be,
When thou liest howling."
Or, in that moonlight scene of beauty, and whilst the reverential awe it engenders steals upon the heart, doth not some remembrance of Juliet's tomb, the hour, and the deeds therein performed, float over the mind, and the words of him who sleeps so near recur?
Those, we say, who can feel this impression, can best imagine the influence the hour, and the hallowed spot, had upon the youthful mind of him who in after-life was to draw upon such feelings in order to produce the scenes we have mentioned. At the present time, and whilst young Shakespeare took his way through the churchyard, the feeling of awe which is sure to pervade the mind, more or less, in such a place, was peculiarly impressed upon him. It seemed a presentiment of some evil to come, which he could not shake off. He stopped and gazed around, and a chaos of wild thoughts and imaginings coursed one another through his brain as he did so. Within that sacred pile the knightly and the noble, the soldier of the cross, the fierce Norman, and the proud Churchman were entombed,—"hearsed in death,"—the very men who had lived in the days he was so fond of dwelling on; those fierce times of contention and civil butchery.