The clock looks on with a cynical expression on its face. It is doing its duty, and if old man Smith comes down stairs and destroys the peace of mind of this loving couple, it will not be its fault.
He asks her if she will not be happy when the time comes that they will never, never have to part, and she murmurs an affirmative response. Then follow more kissing and embracing. If G. W. Simpkins were told now that he would ever come home to her at 2 A.M. with fabulous tales of accidents by flood and field, and on the Elevated Railroad, would he believe it? No; a smile of incredulity and scorn would wreathe his lips, and he would forthwith clasp her to his breast.
He knows that other men do such things, but he is not that sort of man. Beside, he will have the immense advantage over all others of his sex in possessing the only absolutely perfect specimen of femininity extant. He thinks that he will never be happy anywhere away from her side, and he tells her so, and she believes him.
The clock does not announce the quarter-hour, because it is not built that way, but, nevertheless, it is now 11.15. They do not imagine that it is later than 11.02. He asks her if she ever loved any one else, and she says “No;” and then he reminds her of a certain Tom Johnson with whom she used to go to the theatre, at which she becomes angry and says that he (G. W. Simpkins) is a “real mean thing.” Then G. W. S. arises with an air of dignity, and says that he is much obliged to her for her flattering opinion; and she says that he is quite welcome.
Just then a heavy foot-fall is heard upstairs. She glances at the clock, and perceives to her dismay that it is 11.20. She had expected to have a nice little quarrel, followed by the usual reconciliation, but there is no time for that now. She throws her arms around his neck, and whispers in great agitation that she believes pa is coming. G. W. S. quakes inwardly, for her pa is about four sizes larger than himself, and of a cruel, vindictive nature. But he assumes an air of bravado, and darkly hints at the extreme probability that the room in which they stand will be the scene of a sanguinary conflict in the immediate future, should any one venture to cross his path. Then she begs him to remember that papa, notwithstanding his faults, is still her father. At this he magnanimously promises to spare the old man.
But the footstep is heard no more; papa does not appear. G. W. S. puts on his overcoat. Then the couple stand by the door and settle the Tom Johnson matter. She says she never cared for Tom Johnson, and he says he knows it and that he (G. W. S., you understand) is a brute, and that she is an angel, and that he will never again refer to the aforesaid Tom Johnson. He will, though, the very next time they meet, just as he has every time they have met for the last two months.
While they are talking the clock strikes the half hour, but they don’t hear it. The Johnson business disposed of, they discuss their future prospects, vow eternal fidelity, compare themselves to all the famous lovers of history (to none of whom they bear the slightest resemblance), make an appointment for Wednesday evening (on which occasion G. W. S. will have the extreme felicity of spending two-thirds of his week’s salary for theatre tickets and a supper at the Brunswick), and indulge in the usual osculation.
Suddenly the clock begins to strike twelve, and at the same moment a hoarse masculine cough is heard in the room overhead. The fatal moment has really and truly arrived this time. One more kiss, one more embrace, and they part—he to go home and oversleep in the morning, and be docked fifty cents at the store; she to receive the reproaches of an irate parent, who hasn’t been young for such a long time himself that he has forgotten all about it.
