Excursions, and Poems / The Writings of Henry David Thoreau, Volume 05 (of 20)

by Henry David Thoreau

The fisherman now repairs and launches his boat. The best time for spearing is at this season, before the weeds have begun to grow, and while the fishes lie in the shallow water, for in summer they prefer the cool depths, and in the autumn they are still more or less concealed by the grass. The first requisite is fuel for your crate; and for this purpose the roots of the pitch pine are commonly used, found under decayed stumps, where the trees have been felled eight or ten years.

With a crate, or jack, made of iron hoops, to contain your fire, and attached to the bow of your boat about three feet from the water, a fish-spear with seven tines and fourteen feet long, a large basket or barrow to carry your fuel and bring back your fish, and a thick outer garment, you are equipped for a cruise. It should be a warm and still evening; and then, with a fire crackling merrily at the prow, you may launch forth like a cucullo into the night. The dullest soul cannot go upon such an expedition without some of the spirit of adventure; as if he had stolen the boat of Charon and gone down the Styx on a midnight expedition into the realms of Pluto. And much speculation does this wandering star afford to the musing night-walker, leading him on and on, jack-o'-lantern-like, over the meadows; or, if he is wiser, he amuses himself with imagining what of human life, far in the silent night, is flitting moth-like round its candle. The silent navigator shoves his craft gently over the water, with a smothered pride and sense of benefaction, as if he were the phosphor, or light-bringer, to these dusky realms, or some sister moon, blessing the spaces with her light. The waters, for a rod or two on either hand and several feet in depth, are lit up with more than noonday distinctness, and he enjoys the opportunity which so many have desired, for the roofs of a city are indeed raised, and he surveys the midnight economy of the fishes. There they lie in every variety of posture; some on their backs, with their white bellies uppermost, some suspended in mid-water, some sculling gently along with a dreamy motion of the fins, and others quite active and wide awake,—a scene not unlike what the human city would present. Occasionally he will encounter a turtle selecting the choicest morsels, or a muskrat resting on a tussock. He may exercise his dexterity, if he sees fit, on the more distant and active fish, or fork the nearer into his boat, as potatoes out of a pot, or even take the sound sleepers with his hands. But these last accomplishments he will soon learn to dispense with, distinguishing the real object of his pursuit, and find compensation in the beauty and never-ending novelty of his position. The pines growing down to the water's edge will show newly as in the glare of a conflagration; and as he floats under the willows with his light, the song sparrow will often wake on her perch, and sing that strain at midnight which she had meditated for the morning. And when he has done, he may have to steer his way home through the dark by the north star, and he will feel himself some degrees nearer to it for having lost his way on the earth.

The fishes commonly taken in this way are pickerel, suckers, perch, eels, pouts, breams, and shiners,—from thirty to sixty weight in a night. Some are hard to be recognized in the unnatural light, especially the perch, which, his dark bands being exaggerated, acquires a ferocious aspect. The number of these transverse bands, which the Report states to be seven, is, however, very variable, for in some of our ponds they have nine and ten even.

It appears that we have eight kinds of tortoises, twelve snakes,—but one of which is venomous,—nine frogs and toads, nine salamanders, and one lizard, for our neighbors.

I am particularly attracted by the motions of the serpent tribe. They make our hands and feet, the wings of the bird, and the fins of the fish seem very superfluous, as if Nature had only indulged her fancy in making them. The black snake will dart into a bush when pursued, and circle round and round with an easy and graceful motion, amid the thin and bare twigs, five or six feet from the ground, as a bird flits from bough to bough, or hang in festoons between the forks. Elasticity and flexibleness in the simpler forms of animal life are equivalent to a complex system of limbs in the higher; and we have only to be as wise and wily as the serpent, to perform as difficult feats without the vulgar assistance of hands and feet.

In May, the snapping turtle (Emysaurus serpentina) is frequently taken on the meadows and in the river. The fisherman, taking sight over the calm surface, discovers its snout projecting above the water, at the distance of many rods, and easily secures his prey through its unwillingness to disturb the water by swimming hastily away, for, gradually drawing its head under, it remains resting on some limb or clump of grass. Its eggs, which are buried at a distance from the water, in some soft place, as a pigeon-bed, are frequently devoured by the skunk. It will catch fish by daylight, as a toad catches flies, and is said to emit a transparent fluid from its mouth to attract them.

Nature has taken more care than the fondest parent for the education and refinement of her children. Consider the silent influence which flowers exert, no less upon the ditcher in the meadow than the lady in the bower. When I walk in the woods, I am reminded that a wise purveyor has been there before me; my most delicate experience is typified there. I am struck with the pleasing friendships and unanimities of nature, as when the lichen on the trees takes the form of their leaves. In the most stupendous scenes you will see delicate and fragile features, as slight wreaths of vapor, dew-lines, feathery sprays, which suggest a high refinement, a noble blood and breeding, as it were. It is not hard to account for elves and fairies; they represent this light grace, this ethereal gentility. Bring a spray from the wood, or a crystal from the brook, and place it on your mantel, and your household ornaments will seem plebeian beside its nobler fashion and bearing. It will wave superior there, as if used to a more refined and polished circle. It has a salute and a response to all your enthusiasm and heroism.

In the winter, I stop short in the path to admire how the trees grow up without forethought, regardless of the time and circumstances. They do not wait as man does, but now is the golden age of the sapling. Earth, air, sun, and rain are occasion enough; they were no better in primeval centuries. The "winter of their discontent" never comes. Witness the buds of the native poplar standing gayly out to the frost on the sides of its bare switches. They express a naked confidence. With cheerful heart one could be a sojourner in the wilderness, if he were sure to find there the catkins of the willow or the alder. When I read of them in the accounts of northern adventurers, by Baffin's Bay or Mackenzie's River, I see how even there, too, I could dwell. They are our little vegetable redeemers. Methinks our virtue will hold out till they come again. They are worthy to have had a greater than Minerva or Ceres for their inventor. Who was the benignant goddess that bestowed them on mankind?

Nature is mythical and mystical always, and works with the license and extravagance of genius. She has her luxurious and florid style as well as art. Having a pilgrim's cup to make, she gives to the whole—stem, bowl, handle, and nose—some fantastic shape, as if it were to be the car of some fabulous marine deity, a Nereus or Triton.

In the winter, the botanist need not confine himself to his books and herbarium, and give over his outdoor pursuits, but may study a new department of vegetable physiology, what may be called crystalline botany, then. The winter of 1837 was unusually favorable for this. In December of that year, the Genius of vegetation seemed to hover by night over its summer haunts with unusual persistency. Such a hoar-frost as is very uncommon here or anywhere, and whose full effects can never be witnessed after sunrise, occurred several times. As I went forth early on a still and frosty morning, the trees looked like airy creatures of darkness caught napping; on this side huddled together, with their gray hairs streaming, in a secluded valley which the sun had not penetrated; on that, hurrying off in Indian file along some watercourse, while the shrubs and grasses, like elves and fairies of the night, sought to hide their diminished heads in the snow. The river, viewed from the high bank, appeared of a yellowish-green color, though all the landscape was white. Every tree, shrub, and spire of grass, that could raise its head above the snow, was covered with a dense ice-foliage, answering, as it were, leaf for leaf to its summer dress. Even the fences had put forth leaves in the night. The centre, diverging, and more minute fibres were perfectly distinct, and the edges regularly indented. These leaves were on the side of the twig or stubble opposite to the sun, meeting it for the most part at right angles, and there were others standing out at all possible angles upon these and upon one another, with no twig or stubble supporting them. When the first rays of the sun slanted over the scene, the grasses seemed hung with innumerable jewels, which jingled merrily as they were brushed by the foot of the traveler, and reflected all the hues of the rainbow, as he moved from side to side. It struck me that these ghost leaves, and the green ones whose forms they assume, were the creatures of but one law; that in obedience to the same law the vegetable juices swell gradually into the perfect leaf, on the one hand, and the crystalline particles troop to their standard in the same order, on the other. As if the material were indifferent, but the law one and invariable, and every plant in the spring but pushed up into and filled a permanent and eternal mould, which, summer and winter forever, is waiting to be filled.