Still, in the midst of the arctic day, we may trace the summer to its retreats, and sympathize with some contemporary life. Stretched over the brooks, in the midst of the frost-bound meadows, we may observe the submarine cottages of the caddis-worms, the larvæ of the Plicipennes; their small cylindrical cases built around themselves, composed of flags, sticks, grass, and withered leaves, shells, and pebbles, in form and color like the wrecks which strew the bottom,—now drifting along over the pebbly bottom, now whirling in tiny eddies and dashing down steep falls, or sweeping rapidly along with the current, or else swaying to and fro at the end of some grass-blade or root. Anon they will leave their sunken habitations, and, crawling up the stems of plants, or to the surface, like gnats, as perfect insects henceforth, flutter over the surface of the water, or sacrifice their short lives in the flame of our candles at evening. Down yonder little glen the shrubs are drooping under their burden, and the red alderberries contrast with the white ground. Here are the marks of a myriad feet which have already been abroad. The sun rises as proudly over such a glen as over the valley of the Seine or the Tiber, and it seems the residence of a pure and self-subsistent valor, such as they never witnessed,—which never knew defeat nor fear. Here reign the simplicity and purity of a primitive age, and a health and hope far remote from towns and cities. Standing quite alone, far in the forest, while the wind is shaking down snow from the trees, and leaving the only human tracks behind us, we find our reflections of a richer variety than the life of cities. The chickadee and nuthatch are more inspiring society than statesmen and philosophers, and we shall return to these last as to more vulgar companions. In this lonely glen, with its brook draining the slopes, its creased ice and crystals of all hues, where the spruces and hemlocks stand up on either side, and the rush and sere wild oats in the rivulet itself, our lives are more serene and worthy to contemplate.
As the day advances, the heat of the sun is reflected by the hillsides, and we hear a faint but sweet music, where flows the rill released from its fetters, and the icicles are melting on the trees; and the nuthatch and partridge are heard and seen. The south wind melts the snow at noon, and the bare ground appears with its withered grass and leaves, and we are invigorated by the perfume which exhales from it, as by the scent of strong meats.
Let us go into this deserted woodman's hut, and see how he has passed the long winter nights and the short and stormy days. For here man has lived under this south hillside, and it seems a civilized and public spot. We have such associations as when the traveler stands by the ruins of Palmyra or Hecatompolis. Singing birds and flowers perchance have begun to appear here, for flowers as well as weeds follow in the footsteps of man. These hemlocks whispered over his head, these hickory logs were his fuel, and these pitch pine roots kindled his fire; yonder fuming rill in the hollow, whose thin and airy vapor still ascends as busily as ever, though he is far off now, was his well. These hemlock boughs, and the straw upon this raised platform, were his bed, and this broken dish held his drink. But he has not been here this season, for the phœbes built their nest upon this shelf last summer. I find some embers left as if he had but just gone out, where he baked his pot of beans; and while at evening he smoked his pipe, whose stemless bowl lies in the ashes, chatted with his only companion, if perchance he had any, about the depth of the snow on the morrow, already falling fast and thick without, or disputed whether the last sound was the screech of an owl, or the creak of a bough, or imagination only; and through his broad chimney-throat, in the late winter evening, ere he stretched himself upon the straw, he looked up to learn the progress of the storm, and, seeing the bright stars of Cassiopeia's Chair shining brightly down upon him, fell contentedly asleep.
See how many traces from which we may learn the chopper's history! From this stump we may guess the sharpness of his axe, and from the slope of the stroke, on which side he stood, and whether he cut down the tree without going round it or changing hands; and, from the flexure of the splinters, we may know which way it fell. This one chip contains inscribed on it the whole history of the woodchopper and of the world. On this scrap of paper, which held his sugar or salt, perchance, or was the wadding of his gun, sitting on a log in the forest, with what interest we read the tattle of cities, of those larger huts, empty and to let, like this, in High Streets and Broadways. The eaves are dripping on the south side of this simple roof, while the titmouse lisps in the pine and the genial warmth of the sun around the door is somewhat kind and human.
After two seasons, this rude dwelling does not deform the scene. Already the birds resort to it, to build their nests, and you may track to its door the feet of many quadrupeds. Thus, for a long time, nature overlooks the encroachment and profanity of man. The wood still cheerfully and unsuspiciously echoes the strokes of the axe that fells it, and while they are few and seldom, they enhance its wildness, and all the elements strive to naturalize the sound.
Now our path begins to ascend gradually to the top of this high hill, from whose precipitous south side we can look over the broad country of forest and field and river, to the distant snowy mountains. See yonder thin column of smoke curling up through the woods from some invisible farmhouse, the standard raised over some rural homestead. There must be a warmer and more genial spot there below, as where we detect the vapor from a spring forming a cloud above the trees. What fine relations are established between the traveler who discovers this airy column from some eminence in the forest and him who sits below! Up goes the smoke as silently and naturally as the vapor exhales from the leaves, and as busy disposing itself in wreaths as the housewife on the hearth below. It is a hieroglyphic of man's life, and suggests more intimate and important things than the boiling of a pot. Where its fine column rises above the forest, like an ensign, some human life has planted itself,—and such is the beginning of Rome, the establishment of the arts, and the foundation of empires, whether on the prairies of America or the steppes of Asia.
And now we descend again, to the brink of this woodland lake, which lies in a hollow of the hills, as if it were their expressed juice, and that of the leaves which are annually steeped in it. Without outlet or inlet to the eye, it has still its history, in the lapse of its waves, in the rounded pebbles on its shore, and in the pines which grow down to its brink. It has not been idle, though sedentary, but, like Abu Musa, teaches that "sitting still at home is the heavenly way; the going out is the way of the world." Yet in its evaporation it travels as far as any. In summer it is the earth's liquid eye, a mirror in the breast of nature. The sins of the wood are washed out in it. See how the woods form an amphitheatre about it, and it is an arena for all the genialness of nature. All trees direct the traveler to its brink, all paths seek it out, birds fly to it, quadrupeds flee to it, and the very ground inclines toward it. It is nature's saloon, where she has sat down to her toilet. Consider her silent economy and tidiness; how the sun comes with his evaporation to sweep the dust from its surface each morning, and a fresh surface is constantly welling up; and annually, after whatever impurities have accumulated herein, its liquid transparency appears again in the spring. In summer a hushed music seems to sweep across its surface. But now a plain sheet of snow conceals it from our eyes, except where the wind has swept the ice bare, and the sere leaves are gliding from side to side, tacking and veering on their tiny voyages. Here is one just keeled up against a pebble on shore, a dry beech leaf, rocking still, as if it would start again. A skillful engineer, methinks, might project its course since it fell from the parent stem. Here are all the elements for such a calculation. Its present position, the direction of the wind, the level of the pond, and how much more is given. In its scarred edges and veins is its log rolled up.
We fancy ourselves in the interior of a larger house. The surface of the pond is our deal table or sanded floor, and the woods rise abruptly from its edge, like the walls of a cottage. The lines set to catch pickerel through the ice look like a larger culinary preparation, and the men stand about on the white ground like pieces of forest furniture. The actions of these men, at the distance of half a mile over the ice and snow, impress us as when we read the exploits of Alexander in history. They seem not unworthy of the scenery, and as momentous as the conquest of kingdoms.
Again we have wandered through the arches of the wood, until from its skirts we hear the distant booming of ice from yonder bay of the river, as if it were moved by some other and subtler tide than oceans know. To me it has a strange sound of home, thrilling as the voice of one's distant and noble kindred. A mild summer sun shines over forest and lake, and though there is but one green leaf for many rods, yet nature enjoys a serene health. Every sound is fraught with the same mysterious assurance of health, as well now the creaking of the boughs in January, as the soft sough of the wind in July.
When Winter fringes every bough