Excursions, and Poems / The Writings of Henry David Thoreau, Volume 05 (of 20)

by Henry David Thoreau

October is the month for painted leaves. Their rich glow now flashes round the world. As fruits and leaves and the day itself acquire a bright tint just before they fall, so the year near its setting. October is its sunset sky; November the later twilight.

I formerly thought that it would be worth the while to get a specimen leaf from each changing tree, shrub, and herbaceous plant, when it had acquired its brightest characteristic color, in its transition from the green to the brown state, outline it, and copy its color exactly, with paint, in a book, which should be entitled "October, or Autumnal Tints,"—beginning with the earliest reddening woodbine and the lake of radical leaves, and coming down through the maples, hickories, and sumachs, and many beautifully freckled leaves less generally known, to the latest oaks and aspens. What a memento such a book would be! You would need only to turn over its leaves to take a ramble through the autumn woods whenever you pleased. Or if I could preserve the leaves themselves, unfaded, it would be better still. I have made but little progress toward such a book, but I have endeavored, instead, to describe all these bright tints in the order in which they present themselves. The following are some extracts from my notes.

THE PURPLE GRASSES

By the twentieth of August, everywhere in woods and swamps we are reminded of the fall, both by the richly spotted sarsaparilla leaves and brakes, and the withering and blackened skunk-cabbage and hellebore, and, by the riverside, the already blackening pontederia.

The purple grass (Eragrostis pectinacea) is now in the height of its beauty. I remember still when I first noticed this grass particularly. Standing on a hillside near our river, I saw, thirty or forty rods off, a stripe of purple half a dozen rods long, under the edge of a wood, where the ground sloped toward a meadow. It was as high-colored and interesting, though not quite so bright, as the patches of rhexia, being a darker purple, like a berry's stain laid on close and thick. On going to and examining it, I found it to be a kind of grass in bloom, hardly a foot high, with but few green blades, and a fine spreading panicle of purple flowers, a shallow, purplish mist trembling around me. Close at hand it appeared but a dull purple, and made little impression on the eye; it was even difficult to detect; and if you plucked a single plant, you were surprised to find how thin it was, and how little color it had. But viewed at a distance in a favorable light, it was of a fine lively purple, flower-like, enriching the earth. Such puny causes combine to produce these decided effects. I was the more surprised and charmed because grass is commonly of a sober and humble color.

With its beautiful purple blush it reminds me, and supplies the place, of the rhexia, which is now leaving off, and it is one of the most interesting phenomena of August. The finest patches of it grow on waste strips or selvages of land at the base of dry hills, just above the edge of the meadows, where the greedy mower does not deign to swing his scythe; for this is a thin and poor grass, beneath his notice. Or, it may be, because it is so beautiful he does not know that it exists; for the same eye does not see this and timothy. He carefully gets the meadow-hay and the more nutritious grasses which grow next to that, but he leaves this fine purple mist for the walker's harvest,—fodder for his fancy stock. Higher up the hill, perchance, grow also blackberries, John's-wort, and neglected, withered, and wiry June-grass. How fortunate that it grows in such places, and not in the midst of the rank grasses which are annually cut! Nature thus keeps use and beauty distinct. I know many such localities, where it does not fail to present itself annually, and paint the earth with its blush. It grows on the gentle slopes, either in a continuous patch or in scattered and rounded tufts a foot in diameter, and it lasts till it is killed by the first smart frosts.

In most plants the corolla or calyx is the part which attains the highest color, and is the most attractive; in many it is the seed-vessel or fruit; in others, as the red maple, the leaves; and in others still it is the very culm itself which is the principal flower or blooming part.

The last is especially the case with the poke or garget (Phytolacca decandra). Some which stand under our cliffs quite dazzle me with their purple stems now and early in September. They are as interesting to me as most flowers, and one of the most important fruits of our autumn. Every part is flower (or fruit), such is its superfluity of color,—stem, branch, peduncle, pedicel, petiole, and even the at length yellowish, purple-veined leaves. Its cylindrical racemes of berries of various hues, from green to dark purple, six or seven inches long, are gracefully drooping on all sides, offering repasts to the birds; and even the sepals from which the birds have picked the berries are a brilliant lake red, with crimson flame-like reflections, equal to anything of the kind,—all on fire with ripeness. Hence the lacca, from lac, lake. There are at the same time flower-buds, flowers, green berries, dark-purple or ripe ones, and these flower-like sepals, all on the same plant.

We love to see any redness in the vegetation of the temperate zone. It is the color of colors. This plant speaks to our blood. It asks a bright sun on it to make it show to best advantage, and it must be seen at this season of the year. On warm hillsides its stems are ripe by the twenty-third of August. At that date I walked through a beautiful grove of them, six or seven feet high, on the side of one of our cliffs, where they ripen early. Quite to the ground they were a deep, brilliant purple, with a bloom contrasting with the still clear green leaves. It appears a rare triumph of Nature to have produced and perfected such a plant, as if this were enough for a summer. What a perfect maturity it arrives at! It is the emblem of a successful life concluded by a death not premature, which is an ornament to Nature. What if we were to mature as perfectly, root and branch, glowing in the midst of our decay, like the poke! I confess that it excites me to behold them. I cut one for a cane, for I would fain handle and lean on it. I love to press the berries between my fingers, and see their juice staining my hand. To walk amid these upright, branching casks of purple wine, which retain and diffuse a sunset glow, tasting each one with your eye, instead of counting the pipes on a London dock, what a privilege! For Nature's vintage is not confined to the vine. Our poets have sung of wine, the product of a foreign plant which commonly they never saw, as if our own plants had no juice in them more than the singers. Indeed, this has been called by some the American grape, and, though a native of America, its juices are used in some foreign countries to improve the color of the wine; so that the poetaster may be celebrating the virtues of the poke without knowing it. Here are berries enough to paint afresh the western sky, and play the bacchanal with, if you will. And what flutes its ensanguined stems would make, to be used in such a dance! It is truly a royal plant. I could spend the evening of the year musing amid the poke stems. And perchance amid these groves might arise at last a new school of philosophy or poetry. It lasts all through September.

At the same time with this, or near the end of August, a to me very interesting genus of grasses, andropogons, or beard-grasses, is in its prime: Andropogon furcatus, forked beard-grass, or call it purple-fingered grass; Andropogon scoparius, purple wood-grass; and Andropogon (now called Sorghum) nutans, Indian-grass. The first is a very tall and slender-culmed grass, three to seven feet high, with four or five purple finger-like spikes raying upward from the top. The second is also quite slender, growing in tufts two feet high by one wide, with culms often somewhat curving, which, as the spikes go out of bloom, have a whitish, fuzzy look. These two are prevailing grasses at this season on dry and sandy fields and hillsides. The culms of both, not to mention their pretty flowers, reflect a purple tinge, and help to declare the ripeness of the year. Perhaps I have the more sympathy with them because they are despised by the farmer, and occupy sterile and neglected soil. They are high-colored, like ripe grapes, and express a maturity which the spring did not suggest. Only the August sun could have thus burnished these culms and leaves. The farmer has long since done his upland haying, and he will not condescend to bring his scythe to where these slender wild grasses have at length flowered thinly; you often see spaces of bare sand amid them. But I walk encouraged between the tufts of purple wood-grass over the sandy fields, and along the edge of the shrub oaks, glad to recognize these simple contemporaries. With thoughts cutting a broad swathe I "get" them, with horse-raking thoughts I gather them into windrows. The fine-eared poet may hear the whetting of my scythe. These two were almost the first grasses that I learned to distinguish, for I had not known by how many friends I was surrounded; I had seen them simply as grasses standing. The purple of their culms also excites me like that of the poke-weed stems.