You drew a very vivid portrait of the Australian,—short and stout, with a pipe in his mouth, and his book inspired by beer, Pot First, Pot Second, etc. I suspect that he must be potbellied withal. Methinks I see the smoke going up from him as from a cottage on the moor. If he does not quench his genius with his beer, it may burst into a clear flame at last. However, perhaps he intentionally adopts the low style.
What do you mean by that ado about smoking, and my "purer tastes"? I should like his pipe as well as his beer at least. Neither of them is so bad as to be "highly connected," which you say he is, unfortunately. No! I expect nothing but pleasure in "smoke from your pipe."
You and the Australian must have put your heads together when you concocted those titles,—with pipes in your mouths over a pot of beer. I suppose that your chapters are, Whiff the First, Whiff the Second, etc. But of course it is a more modest expression for "Fire from my Genius."
You must have been very busy since you came back, or before you sailed, to have brought out your History, of whose publication I had not heard. I suppose that I have read it in the Mercury. Yet I am curious to see how it looks in a volume, with your name on the title-page.
I am more curious still about the poems. Pray put some sketches into the book: your shanty for frontispiece; Arthur and Walton's boat (if you can) running for Cuttyhunk in a tremendous gale; not forgetting "Be honest boys," etc., near by; the Middleborough ponds with a certain island looming in the distance; the Quaker meeting-house, and the Brady house, if you like; the villagers catching smelts with dip-nets in the twilight, at the Head of the River, etc., etc. Let it be a local and villageous book as much as possible. Let some one make a characteristic selection of mottoes from your shanty walls, and sprinkle them in an irregular manner, at all angles, over the fly-leaves and margins, as a man stamps his name in a hurry; and also canes, pipes, and jackknives, of all your patterns, about the frontispiece. I can think of plenty of devices for tail-pieces. Indeed, I should like to see a hair pillow, accurately drawn, for one; a cat, with a bell on, for another; the old horse, with his age printed in the hollow of his back; half a cocoanut-shell by a spring; a sheet of blotted paper; a settle occupied by a settler at full length, etc., etc., etc. Call all the arts to your aid.
Don't wait for the Indian summer, but bring it with you.
P. S.—Let me ask a favor. I am trying to write something about the autumnal tints, and I wish to know how much our trees differ from English and European ones in this respect. Will you observe, or learn for me, what English or European trees, if any, still retain their leaves in Mr. Arnold's garden (the gardener will supply the true names); and also if the foliage of any (and what) European or foreign trees there have been brilliant the past month. If you will do this you will greatly oblige me. I return the newspaper with this.
TO DANIEL RICKETSON (AT NEW BEDFORD).
Concord, November 22, 1858.
Friend Ricketson,—I thank you for your "History."[90] Though I have not yet read it again, I have looked far enough to see that I like the homeliness of it; that is, the good, old-fashioned way of writing, as if you actually lived where you wrote. A man's interest in a single bluebird is worth more than a complete but dry list of the fauna and flora of a town. It is also a considerable advantage to be able to say at any time, "If D. R. is not here, here is his book." Alcott being here, and inquiring after you (whom he has been expecting), I lent the book to him almost immediately. He talks of going West the latter part of this week. Channing is here again, as I am told, but I have not seen him.