The trees covered with snow admit a very plain and clean light, but not brilliant, as if through windows of ground glass; a sort of white darkness it is, all of the sun's splendor that can be retained.
The fashions of the wood are more fluctuating than those of Paris; snow, rime, ice, green and dry leaves incessantly make new patterns. There are all the shapes and hues of the kaleidoscope and the designs and ciphers of books of heraldry in the outlines of the trees. Every time I see a nodding pine-top, it seems as if a new fashion of wearing plumes had come into vogue.
I saw a team come out of a path in the woods, as though it had never gone in, but belonged there, and only came out like Elisha's bears. It was wholly of the village, and not at all of the wood.
These particles of snow which the early wind shakes down are what is stirring, or the morning news of the wood. Sometimes it is blown up above the trees, like the sand of the desert.
You glance up these paths, closely imbowered by bent trees, as through the side aisles of a cathedral, and expect to hear a choir chanting from their depths. You are never so far in them as they are far before you. Their secret is where you are not and where your feet can never carry you.
I tread in the tracks of the fox which has gone before me by some hours, or which perhaps I have started, with such a tiptoe of expectation as if I were on the trail of the Spirit itself which resides in these woods, and expected soon to catch it in its lair.[201]
The snow falls on no two trees alike, but the forms it assumes are as various as those of the twigs and leaves which receive it. They are, as it were, predetermined by the genius of the tree. So one divine spirit descends alike on all, but bears a peculiar fruit in each. The divinity subsides on all men, as the snowflakes settle on the fields and ledges and takes the form of the various clefts and surfaces on which it lodges.
Here is the distinct trail of a fox stretching [a] quarter of a mile across the pond. Now I am curious to know what has determined its graceful curvatures, its greater or less spaces and distinctness, and how surely they were coincident with the fluctuations of some mind, why they now lead me two steps to the right, and then three to the left. If these things are not to be called up and accounted for in the Lamb's Book of Life, I shall set them down for careless accountants. Here was one expression of the divine mind this morning. The pond was his journal, and last night's snow made a tabula rasa for him. I know which way a mind wended this morning, what horizon it faced, by the setting of these tracks; whether it moved slowly or rapidly, by the greater or less intervals and distinctness, for the swiftest step leaves yet a lasting trace.[202]
Sometimes I come out suddenly upon a high plain, which seems to be the upper level and true surface of the earth, and by its very baldness aspires and lies up nearer to the stars,—a place where a decalogue might be let down or a saint translated.
I take a horse and oxen, standing among the wood-piles in the forest, for one of them, and when at length the horse pricks his ears, and I give him another name, where's the difference? I am startled by the possibility of such errors, and the indifference with [which] they are allowed to occur.