The branches and taller grasses were covered with a wonderful ice-foliage, answering leaf for leaf to their summer dress. The centre, diverging, and even more minute fibres were perfectly distinct and the edges regularly indented.
These leaves were on the side of the twig or stubble opposite to the sun (when it was not bent toward the east), meeting it for the most part at right angles, and there were others standing out at all possible angles upon these, and upon one another.
It struck me that these ghost leaves and the green ones whose forms they assume were the creatures of the same law. It could not be in obedience to two several laws that the vegetable juices swelled gradually into the perfect leaf on the one hand, and the crystalline particles trooped to their standard in the same admirable order on the other.
The river, viewed from the bank above, appeared of a yellowish-green color, but on a nearer approach this phenomenon vanished; and yet the landscape was covered with snow.[12]
ICE-HARP
Dec. 5. My friend tells me he has discovered a new note in nature, which he calls the Ice-Harp. Chancing to throw a handful of pebbles upon the pond where there was an air chamber under the ice, it discoursed a pleasant music to him.
Herein resides a tenth muse, and as he was the man to discover it probably the extra melody is in him.
GOETHE
Dec. 8. He is generally satisfied with giving an exact description of objects as they appear to him, and his genius is exhibited in the points he seizes upon and illustrates. His description of Venice and her environs as seen from the Marcusthurm is that of an unconcerned spectator, whose object is faithfully to describe what he sees, and that, too, for the most part, in the order in which he saw it. It is this trait which is chiefly to be prized in the book; even the reflections of the author do not interfere with his descriptions.
It would thus be possible for inferior minds to produce invaluable books.[13]