From all points of the compass, from the earth beneath and the heavens above, have come these inspirations and been entered duly in the order of their arrival in the journal. Thereafter, when the time arrived, they were winnowed into lectures, and again, in due time, from lectures into essays. And at last they stand, like the cubes of Pythagoras, firmly on either basis; like statues on their pedestals, but the statues rarely take hold of hands. There is only such connection and series as is attainable in the galleries. And this affects their immediate practical and popular influence.
Carlyle, we should say, more conspicuously than any other, though with little enough expressed or even conscious sympathy, represents the Reformer class. In him the universal plaint is most settled and serious. Until the thousand named and nameless grievances are righted, there will be no repose for him in the lap of Nature or the seclusion of science and literature. And all the more for not being the visible acknowledged leader of any class.[446]
All places, all positions—all things in short—are a medium happy or unhappy. Every realm has its centre, and the nearer to that the better while you are in it. Even health is only the happiest of all mediums. There may be excess, or there may be deficiency; in either case there is disease. A man must only be virtuous enough.
I had one neighbor within half a mile for a short time when I first went to the woods, Hugh Quoil, an Irishman who had been a soldier at Waterloo, Colonel Quoil, as he was called,—I believe that he had killed a colonel and ridden off his horse,—who lived from hand—sometimes to mouth,—though it was commonly a glass of rum that the hand carried. He and his wife awaited their fate together in an old ruin in Walden woods. What life he got—or what means of death—he got by ditching.
I never was much acquainted with Hugh Quoil, though sometimes I met him in the path, and now do believe that a solid shank-bone, and skull which no longer aches, lie somewhere, and can still be produced, which once with garment of flesh and broadcloth were called and hired to do work as Hugh Quoil. He was a man of manners and gentlemanlike, as one who had seen the world, and was capable of more civil speech than you could well attend to. At a distance he had seemingly a ruddy face as of biting January, but nearer at hand it was bright carmine. It would have burnt your finger to touch his cheek. He wore a straight-bodied snuff-colored coat which had long been familiar with him, and carried a turf-knife in his hand—instead of a sword. He had fought on the English side before, but he fought on the Napoleon side now. Napoleon went to St. Helena; Hugh Quoil came to Walden Pond. I heard that he used to tell travellers who inquired about myself that —— and Thoreau owned the farm together, but Thoreau lived on the place and carried it on.[447]
He was thirstier than I, and drank more, probably, but not out of the pond. That was never the lower for him. Perhaps I ate more than he. The last time I met him, the only time I spoke with him, was at the foot of the hill on the highway as I was crossing to the spring one summer afternoon, the pond water being too warm for me. I was crossing the road with a pail in my hand, when Quoil came down the hill, wearing his snuff-colored coat, as if it were winter, and shaking with delirium-tremens. I hailed him and told him that my errand was to get water at a spring close by, only at the foot of the hill over the fence. He answered, with stuttering and parched lips, bloodshot eye, and staggering gesture, he'd like to see it. "Follow me there, then." But I had got my pail full and back before he scaled the fence. And he, drawing his coat about him, to warm him, or to cool him, answered in delirium-tremens, hydrophobia dialect, which is not easy to be written here, he'd heard of it, but had never seen it; and so shivered his way along to town,—to liquor and to oblivion.
On Sundays, brother Irishmen and others, who had gone far astray from steady habits and the village, crossed my bean-field with empty jugs toward Quoil's. But what for? Did they sell rum there? I asked. "Respectable people they," "Know no harm of them," "Never heard that they drank too much," was the answer of all wayfarers. They went by sober, stealthy, silent, skulking (no harm to get elm bark Sundays); returned loquacious, sociable, having long intended to call on you.
At length one afternoon Hugh Quoil, feeling better, perchance, with snuff-colored coat, as usual, paced solitary and soldier-like, thinking [of] Waterloo, along the woodland road to the foot of the hill by the spring; and there the Fates met him, and threw him down in his snuff-colored coat on the gravel, and got ready to cut his thread; but not till travellers passed, who would raise him up, get him perpendicular, then settle, settle quick; but legs, what are they? "Lay me down," says Hugh hoarsely. "House locked up—key—in pocket—wife in town." And the Fates cut, and there he lay by the wayside, five feet ten, and looking taller than in life.
He has gone away; his house here "all tore to pieces." What kind of fighting or ditching work he finds to do now, how it fares with him, whether his thirst is quenched, whether there is still some semblance of that carmine cheek, struggles still with some liquid demon—perchance on more equal terms—till he swallow him completely, I cannot by any means learn. What his salutation is now, what his January-morning face, what he thinks of Waterloo, what start he has gained or lost, what work still for the ditcher and forester and soldier now, there is no evidence. He was here, the likes of him, for a season, standing light in his shoes like a faded gentleman, with gesture almost learned in drawing-rooms; wore clothes, hat, shoes, cut ditches, felled wood, did farm work for various people, kindled fires, worked enough, ate enough, drank too much. He was one of those unnamed, countless sects of philosophers who founded no school.
Now that he was gone, and his wife was gone too,—for she could not support the solitude,—before it was too late and the house was torn down, I went over to make a call. Now that Irishmen with jugs avoided the old house, I visited it,—an "unlucky castle now," said they. There lay his old clothes curled up by habit, as if it were himself, upon his raised plank bed. His pipe lay broken on the hearth; and scattered about were soiled cards—king of diamonds, hearts, spades—on the floor. One black chicken, which they could not catch, still went to roost in the next apartment, stepping silent over the floor, frightened by the sound of its own wings, black as night and as silent, too, not even croaking; awaiting Reynard, its god actually dead. There was the dim outline of a garden which had been planted, but had never received its first hoeing, now overrun with weeds, with burs and cockles, which stick to your clothes; as if in the spring he had contemplated a harvest of corn and beans before that strange trembling of the limbs overtook him. Skin of woodchuck fresh-stretched, never to be cured, met once in bean-field by the Waterloo man with uplifted hoe; no cap, no mittens wanted. Pipe on hearth no more to be lighted, best buried with him.[448]