As my eye rested on the blossom of the meadowsweet in a hedge, I heard the note of an autumnal cricket, and was penetrated with the sense of autumn. Was it sound? or was it form? or was it scent? or was it flavor? It is now the royal month of August. When I hear this sound, I am as dry as the rye which is everywhere cut and housed, though I am drunk with the season’s wine.

The farmer is the most inoffensive of men, with his barns and cattle and poultry and grain and grass. I like the smell of his hay well enough, though as grass it may be in my way.

The yellow Bethlehem-star still, and the yellow gerardia, and a bluish “savory-leaved aster.”

Aug. 5. 7.30 p. m.—Moon half full. I sit beside Hubbard’s Grove. A few level red bars above the horizon; a dark, irregular bank beneath them, with a streak of red sky below, on the horizon’s edge. This will describe many a sunset. It is 8 o’clock. The farmer has driven in his cows, and is cutting an armful of green corn fodder for them. Another is still patching the roof of his barn, making his hammer heard afar in the twilight, as if he took a satisfaction in his elevated work,—sitting astride the ridge,—which he wished to prolong. The robin utters a sort of cackling note, as if he had learned the ways of man. The air is still. I hear the voices of loud-talking boys in the early twilight, it must be a mile off. The swallows go over with a watery twittering.

When the moon is on the increase and half full, it is already in mid-heavens at sunset, so that there is no marked twilight intervening. I hear the whip-poor-will at a distance, but they are few of late.

It is almost dark. I hear the voices of berry-pickers coming homeward from Bear Garden. Why do they go home, as it were defeated by the approaching night? Did it never occur to them to stay overnight? The wind now rising from over Bear Garden Hill falls gently on my ear and delivers its message, the same that I have so often heard passing over bare and stony mountain-tops, so uncontaminated and untamed is the wind. The air that has swept over Caucasus and the sands of Arabia comes to breathe on New England fields. The dogs bark; they are not as much stiller as man. They are on the alert, suspecting the approach of foes. The darkness perchance affects them, makes them mad and wild. The mosquitoes hum about me. I distinguish the modest moonlight on my paper.

As the twilight deepens and the moonlight is more and more bright, I begin to distinguish myself, who I am and where; as my walls contract, I become more collected and composed, and sensible of my own existence, as when a lamp is brought into a dark apartment and I see who the company are. With the coolness and the mild silvery light, I recover some sanity, my thoughts are more distinct, moderated, and tempered. Reflection is more possible while the day goes by. The intense light of the sun unfits me for meditation, makes me wander in my thought; my life is too diffuse and dissipated; routine succeeds and prevails over us; the trivial has greater power then, and most at noonday, the most trivial hour of the twenty-four. I am sobered by the moonlight. I bethink myself. It is like a cup of cold water to a thirsty man. The moonlight is more favorable to meditation than sunlight.

The sun lights this world from without, shines in at a window, but the moon is like a lamp within an apartment. It shines for us. The stars themselves make a more visible, and hence a nearer and more domestic, roof at night. Nature broods us, and has not left our germs of thought to be hatched by the sun. We feel her heat and see her body darkening over us. Our thoughts are not dissipated, but come back to us like an echo.

The different kinds of moonlight are infinite. This is not a night for contrasts of light and shade, but a faint diffused light in which there is light enough to travel, and that is all.

A road (the Corner road) that passes over the height of land between earth and heaven, separating those streams which flow earthward from those which flow heavenward.