It is not enough that our life is an easy one; we must live on the stretch, retiring to our rest like soldiers on the eve of a battle, looking forward with ardor to the strenuous sortie of the morrow. “Sit not down in the popular seats and common level of virtues, but endeavor to make them heroical. Offer not only peace-offerings but holocausts unto God.” To the brave soldier the rust and leisure of peace are harder than the fatigues of war. As our bodies court physical encounters, and languish in the mild and even climate of the tropics, so our souls thrive best on unrest and discontent. The soul is a sterner master than any King Frederick; for a true bravery would subject our bodies to rougher usage than even a grenadier could withstand. We too are dwellers within the purlieus of the camp. When the sun breaks through the morning mist, I seem to hear the din of war louder than when his chariot thundered on the plains of Troy. The thin fields of vapor, spread like gauze over the woods, form extended lawns whereon high tournament is held;

Before each van
Prick forth the aery knights, and couch their spears,
Till thickest legions close.

It behoves us to make life a steady progression, and not be defeated by its opportunities. The stream which first fell a drop from heaven, should be filtered by events till it burst out into springs of greater purity, and extract a diviner flavor from the accidents through which it passes. Shall man wear out sooner than the sun? and not rather dawn as freshly, and with such native dignity stalk down the hills of the East into the bustling vale of life, with as lofty and serene a countenance to roll onward through midday, to a yet fairer and more promising setting? In the crimson colors of the west I discover the budding hues of dawn. To my western brother it is rising pure and bright as it did to me; but only the evening exhibits in the still rear of day, the beauty which through morning and noon escaped me. Is not that which we call the gross atmosphere of evening the accumulated deed of the day, which absorbs the rays of beauty, and shows more richly than the naked promise of the dawn? Let us look to it that by earnest toil in the heat of the noon, we get ready a rich western blaze against the evening.

Nor need we fear that the time will hang heavy when our toil is done; for our task is not such a piece of day-labor, that a man must be thinking what he shall do next for a livelihood,—but such, that as it began in endeavor, so will it end only when no more in heaven or on earth remains to be endeavored. Effort is the prerogative of virtue. Let not death be the sole task of life,—the moment when we are rescued from death to life, and set to work,—if indeed that can be called a task which all things do but alleviate. Nor will we suffer our hands to lose one jot of their handiness by looking behind to a mean recompense; knowing that our endeavor cannot be thwarted, nor we be cheated of our earnings unless by not earning them. It concerns us, rather, to be somewhat here present, than to leave something behind us; for, if that were to be considered, it is never the deed men praise, but some marble or canvas, which are only a staging to the real work. The hugest and most effective deed may have no sensible result at all on earth, but may paint itself in the heavens with new stars and constellations. When in rare moments our whole being strives with one consent, which we name a yearning, we may not hope that our work will stand in any artist’s gallery on earth. The bravest deed, which for the most part is left quite out of history,—which alone wants the staleness of a deed done, and the uncertainty of a deed doing,—is the life of a great man. To perform exploits is to be temporarily bold, as becomes a courage that ebbs and flows,—the soul, quite vanquished by its own deed, subsiding into indifference and cowardice; but the exploit of a brave life consists in its momentary completeness.

Every stroke of the chisel must enter our own flesh and bone; he is a mere idolater and apprentice to art who suffers it to grate dully on marble. For the true art is not merely a sublime consolation and holiday labor, which the gods have given to sickly mortals; but such a masterpiece as you may imagine a dweller on the tablelands of central Asia might produce, with threescore and ten years for canvas, and the faculties of a man for tools,—a human life; wherein you might hope to discover more than the freshness of Guido’s Aurora, or the mild light of Titian’s landscapes,—no bald imitation nor even rival of Nature, but rather the restored original of which she is the reflection. For such a masterpiece as this, whole galleries of Greece and Italy are a mere mixing of colors and preparatory quarrying of marble.

Of such sort, then, be our crusade,—which, while it inclines chiefly to the hearty good will and activity of war, rather than the insincerity and sloth of peace, will set an example to both of calmness and energy;—as unconcerned for victory as careless of defeat,—not seeking to lengthen our term of service, nor to cut it short by a reprieve,—but earnestly applying ourselves to the campaign before us. Nor let our warfare be a boorish and uncourteous one, but a higher courtesy attend its higher chivalry,—though not to the slackening of its tougher duties and severer discipline. That so our camp may be a palæstra, wherein the dormant energies and affections of men may tug and wrestle, not to their discomfiture, but to their mutual exercise and development.

What were Godfrey and Gonsalvo unless we breathed a life into them and enacted their exploits as a prelude to our own? The Past is the canvas on which our idea is painted,—the dim prospectus of our future field. We are dreaming of what we are to do. Methinks I hear the clarion sound, and clang of corselet and buckler, from many a silent hamlet of the soul. The signal gun has long since sounded, and we are not yet on our posts. Let us make such haste as the morning, and such delay as the evening.

Henry D. Thoreau

July, 1840.