Two only of Whitaker’s battles have survived the tooth of old Tempus edax rerum: his victory over the Venetian Gondolier and his defeat by Ned Peartree.
In the year 1733 a gigantic Venetian came to this country in the suite of one of our travelling nobility, whose name not being recorded we may set down this part of the story as apocryphal; in fact, as a managerial trick to attract aristocratic patronage. Be that as it may, this immense fellow, who was known by the name of “The Gondolier,” was celebrated for feats of strength: his fame ran before him, and his length of arm and jaw-breaking power of fist were loudly trumpeted. Indeed, a challenge having been issued by the backers of the Venetian, Fig was applied to to find a man to meet this Goliath. The sequel shall be told in Captain Godfrey’s own words:—
“Bob Whitaker was the man pitched upon to fight the big Venetian. I was at Slaughter’s Coffee-house when the match was made by a gentleman of advanced station: he sent for Fig to procure a proper man for him. He told him to take care of his man, because it was for a large sum; and the Venetian was of wonderful strength, and famous for breaking the jawbone in boxing. Fig replied, in his rough manner, ‘I do not know, master, but he may break one of his countrymen’s jawbones with his fist; but I’ll bring him a man, and he shall not be able to break his jawbone with a sledge hammer.’
“The battle was fought at Fig’s amphitheatre, before a splendid company, the politest house of that kind I ever saw. While the Gondolier was stripping my heart yearned for my countryman. His arm took up all observation; it was surprisingly large, long, and muscular. He pitched himself forward with his right leg, and his arm full extended; and, as Whitaker approached, caught him a blow at the side of the head which knocked him quite off the stage, which was remarkable for its height. Whitaker’s misfortune in his fall was the grandeur of the company, on which account they suffered no common people in, that usually sat on the ground, and lined the stage all round. It was thus all clear, and Whitaker had nothing to stop him but the bottom. There was a general foreign huzza on the side of the Venetian, as proclaiming our countryman’s downfall; but Whitaker took no more time than was required to get up again, when, finding his fault in standing out to the length of the other’s arm, he, with a little stoop, dashed boldly in beyond the heavy mallet, and with one English peg in the stomach,” by which the captain in another place explains he means what is called “the mark,”—“quite a new thing to foreigners, brought him on his breech. The blow carried too much of the English rudeness with it for him to bear, and finding himself so unmannerly used, he scorned to have any more doings with such a slovenly fist.” We could not resist transcribing this graphic, terse, and natural account of a prize-fight; the rarity of Captain Godfrey’s book, and the bald, diluted, silly amplification of it in “Boxiana,” pp. 22–25, vol. i., being the moving reasons thereto.
“So fine a house,” says Captain Godfrey, alluding to the company which assembled to see Whitaker fight the Gondolier, “was too engaging to Fig not to court another. He therefore stepped up, and told the gentlemen that they might think he had picked out the best man in London on this occasion; but to convince them to the contrary, he said, that if they would come on that day se’nnight, he would bring a man who should beat this Whitaker in ten minutes by fair hitting. This brought near as great and fine a company as the week before. The ‘man’ was Nathaniel Peartree, who, knowing the other’s bottom, and his deadly way of flinging, took a most judicious manner to beat him. Let his character come in here.—He was an admirable boxer, and I do not know one he was not a match for, before he lost his finger. He was famous, like Pipes, for fighting at the face, but was stronger in his blows. He knew Whitaker’s hardiness, and, being doubtful of beating him, cunningly determined to fight at his eyes. His judgment carried his arm so well, that, in about six minutes, both Whitaker’s eyes were shut; when, groping about a while for his man, and finding him not, he wisely gave out (modernicè, gave in), with these odd words—‘Damme, I’m not beat; but what signifies my fighting when I can’t see my man?’”
The columns of the Flying Post and Daily News Letter have many advertisements of “battles royal,” but none of sufficient merit to deserve a place in this history.
TOM PIPES AND GEORGE GRETTING—1724–1734.
Two other pugilists only of the school of Fig claim our notice, and these are Pipes and Gretting. “Pipes was the neatest boxer I remember. He put in his blows about the face (which he fought at most) with surprising time and judgment. He maintained his battles for many years with extraordinary skill, against men of far superior strength. Pipes was but weakly made: his appearance bespoke activity, but his hand, arm, and body were small; though by that acquired spring of his arm he hit prodigious blows; and at last, when he was beat out of his championship, it was more owing to his debauchery than the merit of those who beat him.”
There is a moral in the downfall of Gretting, as tersely given by Captain Godfrey:—“Gretting was a strong antagonist to Pipes. They contended together for some time, and were almost alternate victors. Gretting had the nearest way of going to the stomach (which is what they call the ‘mark’) of any man I knew. He was a most artful boxer, much stronger made than Pipes, and dealt the straightest blows. But what made Pipes a match for him, was his rare bottom spirit, which would bear a great deal of beating; and this, in my mind, Gretting was not sufficiently furnished with; for after he was beaten twice by Pipes, a mere sloven of a boxer, and everybody that fought him afterwards beat him. I must, notwithstanding, do that justice to Gretting’s memory to own that his debauchery contributed to spoil a great boxer; yet, I think, he had not the bottom of the other.”
It was the opinion throughout Europe, at this period, that the English nation were more expert than any other, not only in boxing, but in the use of the back-sword; and sorry should we be were it not so at this day. The amphitheatre, boxing, foil-play, and cudgelling-schools, were openly advertised, and the amusements made known, like any of the regular theatres; the audiences were equally fashionable, and they were patronised by the noble and great, and not disturbed by the magistrates. Although it was admitted that these amphitheatrical practices were productive of some ill, as offering encouragement to idleness and extravagance among the vulgar, yet there is hardly any useful thing that does not present some opening for mischief, or is not liable to abuse.