3.—Spring showed that he did not mean to let Painter have it all his own way, and gave the latter a heavy nobber. Exchanges, and both down.
4.—A short but sharp round. In throwing Spring proved that he was the stronger man.
5.—Two nobbing counter hits, that made both men go back a little. In closing, Painter got his opponent’s nob under his left arm, and endeavoured to fib him, but Spring, with much dexterity, stopped Painter’s hand, and ultimately threw the latter heavily. (Bravo, Spring!)
6.—This was a most manly round. Reciprocal hitting occurred. The punishment was heavy, but Spring had rather the best of it, and got Painter down.
7 and 8.—The combatants were both rather winded, and became cautious of getting into work. Slight exchanges till both were down.
9.—This was nothing else but a fighting round. Hit for hit occurred, till at the close of a rally Spring received a terrible blow upon his ear, that brought the claret freely. Spring reeled from its severity, and Painter was the favourite at seven to four. Spring went down to avoid a close.
10.—Spring came staggering to the scratch, evidently suffering from the last hit. He, however, went to work in the most gallant style, and in a rally gave Painter “pepper;” but the latter got away scientifically. In a close, Painter was thrown.
11 to 13.—Spring had the worst of these rounds, nevertheless he displayed great game.
14.—In this round the turn was on the side of Spring; he had not only the best of the hitting, but knocked Painter off his legs. (“Do that again, Spring, and you’ll win it.”)
15 to 22.—Painter decidedly took the lead in all these rounds. A tremendous rally occurred, when Painter finished the round by fibbing Spring down.