15.—Parker advanced and retreated, the Slasher after him, to his corner. Wild attempts at hitting left and right on the part of the Slasher, but he was out of distance, and missed. The Slasher then bored Parker down on the ropes, himself falling over outside the ring.
16.—Still no indications of serious mischief. The Slasher desirous of going to work, Parker retreating. The Slasher weaving left and right; an exchange of hits with the latter, and the Slasher again popped in his right on Parker’s ear, from whence blood was visible. The Slasher closed, forced Parker down on his knees, and fell on him.
17.—Parker on the retreat to his corner, the Slasher after him. Exchanges with the left and right, Parker getting prettily home with the former. A wild rally, both missing their blows, when Parker dropped.
18.—Slasher the first to the scratch, and full of fight; Parker retreated to his corner, the Slasher after him. Slasher hit out left and right, but without precision. Parker, on his guard, went down without attempting to hit.
19.—The Slasher, as usual, the first to obey the call of time. Parker tried his left, but was cleverly stopped. The Slasher then rattled to him; Parker evidently ready to drop, when the Slasher slipped and fell.
20.—Parker hugging his corner, when the Slasher rattled to him, but missed; wild hits left and right. Parker popped in his left and broke away. Slasher again to the charge, followed his man, caught him a heavy whack with his right on the jaw, from the effects of which Parker staggered and fell. The first knock-down blow for the Slasher.
21.—Tass’s left stopped, and the Slasher rushed in wildly left and right. In the exchanges the Slasher had it on the mouth, but again planted his right on his shifty opponent’s pimple, when he got down.
22.—The Slasher the favourite, and offers to back him at evens. The Slasher first on his pins. Parker retreated, the Tipton after him, hitting wildly left and right, when Parker dropped, but jumped up, hit out with his left, caught the Slasher slightly, and again fell, amid exclamations of disgust.
23.—Parker slow from his corner, the Slasher to him, when, after wild exchanges left and right, with no execution, Tass went down.
24.—Parker came up evidently a dastard in spirit, and upon the Slasher rushing to him he slipped down, amidst the cries of “cur!” and “coward!” Blood was now flowing freely from the knuckle of Parker’s left hand, which had in some of the previous rounds come in contact with the Slasher’s tooth. From this to the thirtieth round Parker pursued the same cowardly game of making a show as if he intended to fight, but the moment the Slasher went to him to hit left and right purposely dropping, and thereby avoiding the mischief which might be effected. The Slasher was greatly incensed, turned round as if appealing to the spectators, who shouted “cur!” and “coward!” with stentorian voices. The Slasher’s umpire repeatedly cried “foul,” and nothing could have been more decidedly opposed to every rule of fair play; but Hannan, Parker’s umpire, did not respond. He was silent, but it was not difficult to discover which way his feelings inclined. In the thirtieth round Parker, after retreating to his corner, endeavoured to get down to avoid one of the Slasher’s wild rushes. The Slasher endeavoured to hold him up, but in vain; down he went, and the Slasher dropped on him with his knees. Parker’s backer immediately claimed “foul” amidst the derision of all around him. It would be an insult to the understandings of our readers if we were to pursue our description of the 102 imaginary rounds which followed, during which Parker went down fifty times at least, the Slasher most forbearingly avoiding all temptations to strike or even to fall on him so as to afford pretence for a claim of “foul.” More than once Tass threw up his feet so as almost to kick at his man as he rolled or scrambled over him, after missing his one, two. It was in vain that the Slasher essayed to nail him left and right. He ducked and tumbled whenever there was the slightest chance of sustaining a hit, inducing universal marks of disgust at his cowardice, and the words “cur” and “coward” resounding from all quarters.