"I will tell Rosa that you were the man she believed you were when the trial came," and with this Jack and Barney, with a flaming torch, set forward hastily through the fantastic curtain of foliage and night, which shut in the glimmering vista of specters, dark, sinister, and menacing.
CHAPTER XXV
PHANTASMAGORIA.
To say that night is a time of terror is a commonplace. Night is not terrible of itself. It is like the ocean—peace and repose if there be no storm. But of all terrors there are none, outside a guilty mind, so benumbing as night in the unknown. It does not lessen the horror of darkness that fear makes use of the imagination for its agencies. Fancy, intuition, and the train that follows the inner vision, these make of night a phantasmagoria, compared to which Milton's inferno is a place of comparative repose.
If you would realize the wondrous necromancy of the sun, pass a night in some primeval forest, untouched by the hand of man. Until he stands in the awful silence of the midnight wood, or upon some vast waste of nature, no man can figure to himself the varied shapes the mind can give to terrors based upon the mysterious noises of nature, and the goblin motions of inanimate things. The lover thinking of his lass welcomes the night and the rapturous walks among well-known scenes and kindly objects. With glimmering lamps in the foliage and the not distant sounds of daily life, even the woods have nothing fearful to the meditative or the distraught. But in flight, with fear as a garment that can not be laid aside, the somber forms of the forest are more terrible than an army with banners, as a haunted house is a more unnerving dread than burglars or any form of night marauders. It was at night that the mutinous sailors of Columbus broke into decisive revolt; it was at night that the iron band of Cortes lost heart, and were routed on the lakes of Mexico; it was at night that the resolution of Brutus failed before the disaster at Philippi.
That two-o'clock-in-the-morning courage, which is the secret of soldierly success, comes only from companionship. The night-wood is a world by itself, filled with its own atmosphere, as oppressive to valor as the electric reefs that drew the nails from the ships of Sindbad. Among familiar scenes and well-known shapes, it is all the delight the poets sing—so tranquillizing, inspiring, fecund, that in comparison the thought of day brings up garish hues, flaunting figures—the hardness, harshness and unlovely in life. But night in the goblin-land, where Dick found himself suddenly deserted, with fantastic forms swaying in the lazy wind, would have had terrors for the most constant mind; terrors such as filled the soul of MacBeth, when Birnam wood came marching to Dunsinane. In an instant, as it seemed to Dick's exalted and painfully impressionable sense, every separate leaf, branch, brier, copse, and jungle, was endowed with a voice of its own—hateful, irritating, mocking. Swarms of peering eyes hovered in the air, glowering uncanny menace into the boy's wild, dilating vision.
Brave, even to recklessness, Dick was, as you have seen; but no sooner had the glimmer of Jack's torch flickered and fluttered into the black distance, making place for the monstrous shapes, the luring shadows, and threatening forms encompassing him, than Dick threw himself, with a wailing shriek, into the morass in a wild attempt to follow.
In an instant he was up to his middle in mud and water. He seized the prickly branches coiling about and above him; he gasped in prayerful pleading, the home teaching still strong in him; but there was no answer, save the crooning night-birds and the croaking frogs. Slimy things touched his torn flesh; whirring birds shot past him, disturbed in their night perches. The deadly odor, pungent and nauseous, of a thousand exhaling herbs, filled his nostrils. The darkness grew, instinct with threatening forms. He gasped, struggled, and in a fervent outburst of thanksgiving regained the dank mound. Ah, there was life on that! human life. Jones slept, the stertorous sleep of delirium. He murmured brokenly. Dick was too terrified to distinguish what he said. The blaze of the pine knot flared from side to side as the sighing breeze arose from the brackish pools, protesting the vitality of even this moribund hades. Ah! if he could but lie down and bury his face. The horses? They were feeding tranquilly yonder, standing up to their knees in mosses and water. The lines that tied them were long. They could move about. This was some comfort. They were more human than the dreadful specters that filled the place.
Ah! the blessed, blessed light that flamed out from the merry pine-torch; he didn't wonder that half the Eastern world worshiped fire. He adored it—blessed, blessed fire—the sign of God, the beacon of the human. Hark! What half-human—or rather wholly inhuman—sounds are these that alternate in unearthly measure? Surely animal nature has no voice so strident, vengeful, odious. Can it be animals of prey? No. The Virginia forests are dangerous only in snakes. Snakes? Ah, yes! He shrinks into shadow against the oak at this suggestion; snakes? the deadly moccasin, that prowls as well by night as day. Ugh! what's this at his feet—soft, clammy, shining in the flaring light? He leaps upon the smooth tree-trunk, growing slantwise instead of perpendicular. What if the torch and the odor of flesh should draw the snakes to the sleeper? The flame flares in wide, lurid curves, revealing the outlines of the sleeping man. Heavens, what a terrible face! He moves in spasmodic contortions. He is smothering. The veins of his neck will break if he is not awakened.
"O my God! my God! have mercy!" Dick buries his face in his hands, as he clings desperately to the smooth white-oak trunk. A strange, wild strain, like a detached chord of a vesper melody, sounds above him! It is the whippoorwill—steadily, continuously, entrancingly the dulcet measure is taken up and echoed, until the slough of despond seems transformed into a varying diapason of melancholy minstrelsy. He dares not raise his head. It will vanish if he moves. He crouches, panting, almost exultant, in the sense of recovered faculties, or rather the suspension of numbing fear. How long will it last? He must move; his limbs are cramped and aching. He raises his head. Mortal powers! the torch is flickering into ashes! Another instant and he will be in the dark. Dare he move? Dare he seek the distant pine, between him and which the black surface of the murky sheet shines, dotted with uncanny growth and reptilian things? Yes; anything is better than the hideous darkness of this hideous place.