CHAPTER III—THE PROFESSOR
The day before the festa there came a professor of pedagogy, and Peppino was not best pleased to see him because he knew him as a jettatore. I had supposed this word to mean a person with the evil eye who causes misfortunes to others, but he used it in the sense of one who causes misfortunes to himself or, at least, who is always in trouble—a man who is constitutionally unfortunate, the sort of man with whom Napoleon would have nothing to do. He will miss his train more often than not; if he has to attend a funeral it will be when he has a cold in his head, and all his white pocket-handkerchiefs will be at the wash, so that he must use a coloured one; he will attempt to take his medicine in the dark, thereby swallowing the liniment by mistake. Of course, this kind of man is incidentally disastrous to others as
well as to himself and is, therefore, also a jettatore in the other sense, so that Napoleon was quite right.
The arrival of the professor led Peppino into giving me a great deal of information about the evil eye in which he swore he did not believe. It was all rather indefinite and contradictory, partly, no doubt, because those who believe in it most firmly are the analfabeti and unaccustomed to express themselves clearly.
The prevailing idea seems to be that an evil influence proceeds from the eye of the jettatore who is not necessarily a bad person, at least he need not be desirous of hurting any one. The misfortunes that follow wherever he goes may be averted by the interposition of some attractive object whereby the glance from his eye is arrested, and either the misfortune does not happen at all, or the force of the evil influence is expended elsewhere. Therefore, it is as well always to carry some charm against the evil eye. All over Italy, but especially in the south, it is rare to meet a man who does not carry a charm, either on his watch-chain or in his pocket, or on a string or a chain round his neck under his clothes, and he usually carries
more than one. Women, of course, always wear them, which may be because a woman likes to surround herself with pretty things, and, if she can say that they protect her, she has a reason, unconnected with vanity, which she may be apt to profess is her true reason for wearing ornaments. The same applies to men who, though less in the habit of wearing ornaments, are, as has been often remarked, no less vain than women. This may be called the ornamental view and may account for some of the fashions that arise in the wearing of charms. But there is also the utilitarian view, and a new form of charm will sometimes become popular, just as a new sanctuary becomes popular, because it is reported to have been effective in some particular case. Probably no change of fashion will ever banish horns made of coral or mother-of-pearl; being pointed, they are supposed to attract and break up the evil glance as a lightning conductor is supposed to attract and break up a flash of lightning.
Peppino was very contemptuous about all charms and coral horns especially. Even assuming that horns in a general way are prophylactic, it is no use having them made of coral or mother-of-pearl and wearing them
on one’s watch-chain, because the Padre Eterno, when he designed the human form, was careful to provide man with natural means of making horns so that the evil eye might be averted during the period that would have to elapse before the wearing of ornaments became customary. We can still benefit by this happy forethought if we are threatened with the evil eye when divested of all our charms—when bathing for instance. The pope, Pio Nono, was believed to have the evil eye, and pious pilgrims asking his blessing used, at the same time, to take the precaution of protecting themselves from his malign influence by pointing two fingers at him under their clothes.
Inanimate things, of course, cannot be said literally to have the evil eye, but many of them cause misfortunes. A hearse is a most unlucky thing to meet when it is empty. Peppino says—
“If you shall meet the carriage of the dead man and it is empty, perhaps it shall be coming to take you; this is not a good thing and then must you be holding the horn in the hand. But if the dead man shall be riding in his carriage, then certainly this time it shall not be for you and the